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May 2, 1929: Montgomery County’s Deadliest Tornado (Aftermath Photos)

1929 Unity Tornado

Spectators view the destruction at the Benson farm, May 1929. Photo by Lewis Reed

Ninety-four years ago today, one of the worst tornado outbreaks in area history devastated a part of Montgomery County Maryland. At about 9 p.m. on Thursday, May 2, 1929, northeastern Montgomery County was struck by an F3 tornado, part of a large storm system that caused devastation from Florida to Ohio. The weekly Montgomery County Sentinel reported on May 10th that the “wind storm of cyclonic power . . . was of limited width and serpentine on its course. Everything in its path met with destruction.” These photographs were taken by Lewis Reed “after the tornado of May 2, 1929”.

1929 Unity Tornado

May 1929. Photo by Lewis Reed

The damage in the county was limited to the rural Unity area, north of Brookeville. The Sentinel article detailed each affected farm, noting that “thousands of persons from far and near visited the scene for several days to look upon the indescribable wreckage.”

1929 Unity Tornado

May 1929. Photo by Lewis Reed

From the Sentinel: “The storm showed its first violence upon the farm of Mr. J. William Benson. There it destroyed every building – the dwelling house, large barn, 117 feet long, including an attached shed, and all other outbuildings.” The farm was unoccupied, but furniture belonging to “a prospective tenant” was destroyed. Mr. Benson’s apple orchard was also significantly damaged, and the article claimed that “many [trees] were lifted into the air, carried over woods and landed several miles away.”

1929 Unity Tornado

Lewis Reed’s daughter, Mary Jane, May 1929. Photo by Lewis Reed

The fire departments of Rockville, Gaithersburg and Sandy Spring responded to the call made by farm worker James Leizear, who “extricated himself from the wreckage” and ran half a mile to a neighbor’s house to summon help.

The Post reported on May 4th that 28 people in Maryland and Virginia had been killed by tornadoes during the storm; most of the casualties were in Virginia, where an elementary school was struck full-force and at least 18 children died. In Montgomery County, the local Red Cross Chapter formed a citizen committee to raise funds “for relief of the sufferers.”

1929 Unity Tornado

May 1929. Photo by Lewis Reed

Note: These photographs were undated and unlabeled in my grandfather’s collection. My mother, Mary Jane (Reed) Gartner, who is seen above when she was almost 7 years old, positively identified these photographs and just about pinpointed the location! It’s amazing the things you remember from your early childhood.

Sources of Information:
A Fine Collection
The Montgomery County Sentinel, May 10, 1929

A Look Back at the Forgotten Art of Hand-Tinted Photography

The hand-tinted photos of Lewis Reed and his daughter, Mary Jane, are examples of the photographic process that most of the people reading this will have never experienced: hand-tinting.

The golden age of hand-colored photography occurred between 1900 and 1940. Before the days of true color photography, these views were immensely popular. While hand coloring doesn’t help you identify or date an image, it does enhance a photograph’s appearance and add to its history.

Before the advent of color photography, photographers painstakingly applied color to black and white photos in order to show a truer visual depiction of a photo image. All of the photographs featured here were taken by Lewis Reed in the early 1900s and were hand-tinted by his daughter, Mary Jane, likely in the late 1930s to 1940. She colored the photos with special photographic watercolor and a paintbrush. Rather than coloring the entire image—a time-consuming task—she carefully selected details that would make the image lively and attractive. The fact that these photos, all of which are over 100 years old, are still in relatively good condition is a strong testament to the lasting power of hand-tinted photographs.

Do you recognize the road pictured below? Few modern residents of Montgomery County would guess, but this is a shot down Veirs Mill Road in the early 1900s. Mary Jane Reed added some depth to the image with subtle earth tones, in the colorized version.

1911 Veirs Mill Road

Veirs Mill Road looking east before it was paved. Original photograph by Lewis Reed, 1911.

Veirs Mill Road 1911

Colorized version of the photograph above by Lewis Reed. The photo was hand-tinted by Mary Jane (Reed) Gartner, making it look like a color photo.

Below, Lewis Reed’s c. 1909 photograph of his little cousin, Amanda Reed, sitting amongst the hydrangeas — the original before, and the colorized version after.

Amanda Reed before hand-tinting

Amanda Reed before hand-tinting. Original photograph by Lewis Reed.

hand-tinted photograph

Amanda Reed after hand-tinting by Mary Jane (Reed) Gartner. Pastel was apparently a good choice for coloration.

To a visual artist like a dedicated photographer, the inability of the black-and-white camera to capture the richness of colorful blooms or the vibrancy of a summer scene must have been endlessly frustrating.

Lewis Reed’s daughter Mary Jane seemed particularly fond of hand-tinting photographs of flowers — it must have given her a lot of pleasure to “restore” color to her father’s beautifully composed shots. View some more of her work below.

Roses before hand-coloring

Roses before hand-coloring. Original photograph by Lewis Reed.

Roses after hand-coloring

Roses after hand-coloring

Hand-colored flowers

Hand-colored flowers

Below are two different versions of tinting a similar image. In Version 2, some of the flowers at the top were removed from the vase (by Lewis Reed, before taking a second shot) for a different aesthetic effect. The color artist used bolder colors to enhance that effect.

Arrangement before hand-tinting

Original arrangement before hand-tinting. Original photograph by Lewis Reed.

Arrangement after hand-tinting

Version 1: Arrangement after hand-tinting by Mary Jane (Reed) Gartner

hand-tinted photograph

Version 2: Arrangement after hand-tinting by Mary Jane (Reed) Gartner

Rock Creek hand-tinted

This is a hand-tinted version of Rock Creek taken by Lewis Reed in the early 1920s.

Other examples of hand-tinting are included in the following collection of Lewis Reed’s Black Rock Mill photographs. Black Rock Mill was built by Thomas Hillary and has stood along the banks of Great Seneca Creek as a landmark since its construction in 1815-1816. The mill was in working operation for over a hundred years until a flood in 1920 destroyed a dam on Seneca Creek and damaged the mill. Today, it a unique survivor of the many mills in Montgomery County harnessing the water-power of the creeks to grind wheat and corn into flour. It is one of only two mills standing in Montgomery County Maryland. 

Black Rock Mill hand-tinted photo

Black Rock Mill bridge hand-tinted by Lewis Reed’s daughter, Mary Jane.

These natural scenes from the turn of the century countryside are so much more powerful when reunited with interpretations of their vibrant color. The autumn hues imagined in the scene above is particularly striking, and the bark peeling off the sycamore is an artistic masterpiece.
Black Rock Mill hand-tinted photo

Bridge over Seneca Creek. Photo by Lewis Reed and hand-tinted by his daughter, Mary Jane

Black Rock Mill hand-tinted photo

Strolling down a lane on a beautiful summer’s day. Black Rock Mill hand-tinted photo

Black Rock Mill hand-tinted photo

Black Rock Mill hand-tinted photo

The art of hand-tinted photos was introduced along side the daguerreotype in 1839. In the 19th century it was most common for the professional photographer to tint the photograph or tintype just after printing. Later photo artists introduced new techniques using oil, watercolor and other types of paint to achieve the desired result. With the Great Depression, the sale of professional hand-tinted photographs declined, but the home artist continued to have access to hand-tinting kits. Today, we can look back and appreciate the time and creativity it took to edit these photos without Photoshop.

Find photos like these and much more on Montgomery History’s online exhibit, “Montgomery County 1900-1930: Through the Lens of Lewis Reed“.

Cherry Blossoms on the Tidal Basin, Then & Now

Time passes, but the cherry blossoms always come back. Seeing the cherry blossoms is a time-honored D.C. tradition that dates back to 1912, when Tokyo gifted 3,020 cherry trees to the U.S. in an act of friendship. While many of the original trees have been replaced, the Tidal Basin’s beauty has persisted for more than a century. Each spring, more than 1.5 million visitors descend upon Washington, D.C. each year to admire the 3,000-plus trees.

Here’s a great “then and now” comparison shot of the Cherry Blossoms on the Tidal Basin in Washington, D.C. from the 1930s and 2023.

Cherry Blossoms on the Tidal Basin (THEN): From Lewis Reed’s collection of photographs. Cherry blossoms in bloom along the Tidal Basin, circa 1930s with my mother, Mary Jane (Reed) Gartner.

1930s DC Cherry Blossoms

Cherry blossoms in bloom along the Tidal Basin with my mother, Mary Jane (Reed) Gartner. Photo by Lewis Reed, ca. 1930s

Cherry Blossoms on the Tidal Basin (NOW): The “now” photo is a google image of approximately the same location… some 90 years later. On average, DC’s cherry blossoms bloom around the last week of March into the first week of April. But it varies from year to year based on weather conditions, so it can also be a little before or after that period. The best viewing of the cherry blossom trees typically lasts four to seven days after peak bloom begins, but the blossoms can last for up to two weeks under ideal conditions.

The 2023 National Cherry Blossom Festival is scheduled to run from March 18 to April 16. (It was originally scheduled to begin March 20, but they moved that forward by a couple of days in light of the early bloom.)

DC Cherry Blossoms

Cherry blossoms in bloom along the Tidal Basin today.

Fun facts about Washington, DC’s cherry blossoms

  • The first donation of 2,000 trees, received in 1910, was burned on orders from President William Howard Taft. Insects and disease had infested the gift, but after hearing about the plight of the first batch, the Japanese mayor sent another 3,020 trees to DC two years later.
  • The first two trees were planted on the north bank of Tidal Basin in March 1912, and they still stand today. You can see them at the end of 17th Street Southwest, marked by a large plaque.
  • It’s against the law to pick the cherry blossoms in Washington DC. While there aren’t any subtle wire fences or stern security guards like in a museum, any attempts to create your own corsage may very well land you a fine.
  • The majority of the cherry blossom trees around the Tidal Basin are of the Yoshino variety. But another species, the Kwanzan, usually blooms two weeks after the Yoshino trees, giving visitors a second chance to catch the blossoms.
  • The average lifespan of a cherry blossom tree is only 20 to 30 years, but nearly 100 of the original trees from 1912 still thrive at the Tidal Basin due to the maintenance of the National Park Service.
  • No, they’re not all from 1912, reinforcements are sometimes necessary. New trees have been regularly planted, including in 1965, the late 1980s, 1999 and from 2002 to 2006, according to the NPS.

Reed Family “Real Photo Postcard” (1910)

Nostalgic photo postcards, known as “real photo postcards”, were popular in the early 1900’s. Kodak even produced a special camera (the model #3A) and added a special postcard developing and printing service that made it easy for anyone to make their own photo postcard. Mailing a postcard was only a penny and the photo postcard itself cost between one and two cents. The postcard below is a “real photo postcard” mailed by Geneva (Eva) Reed, sister of Lewis Reed in 1910. It was mailed to her half-brother Rufus who lived in Point of Rocks, Maryland.

1910 real photo postcard

Postcard addressed to Rufus Reed from Eva Reed. Note the cost of the postage stamp is just one penny.

The photo of Woodlawn Hotel on the front of the postcard was taken by Phillip Reed (Lewis Reed’s brother). Lewis Reed’s photograph collection contains several hundred of these photo postcards dating from approximately 1907-1915. Many of these postcards are rare, one of a kind items and historical documents.

A bit of history about the Woodlawn Hotel: Opened as a luxury hotel in 1889 for Washingtonians seeking to escape the city’s summer heat, the Woodlawn Hotel thrived until the economy and more accessible transportation made Rockville a suburb of Washington rather than a summer vacation destination. The hotel was then purchased by Dr. Ernest L. Bullard who reopened the building, naming it Chestnut Lodge, as “a sanitarium for the care of nervous and mental diseases”. The Bullard family operated nationally famous Chestnut Lodge for 75 years. The building was conveyed to a developer in 2003 with the intention to convert it to condominiums as part of the development of the Chestnut Lodge property. The facade and the chestnut grove from which it got its name were to be preserved. The downturn in the real estate market derailed those plans.

Sadly, a fire on June 7, 2009 destroyed the landmark building that began as Woodlawn Hotel and came to symbolize the psychiatric institution of Chestnut Lodge. Today, the Chestnut Lodge campus is preserved for the community and consists of Little Lodge, Frieda’s Cottage, a Stable and an Ice House, and eight acres of forested lawn.

1910 real photo postcard

Postcard image was taken by Phillip Reed (Lewis Reed’s brother) of Woodlawn Hotel before it became Chestnut Lodge in 1910.

The postcard below reads:

Your letter received. Mama wants the board and stand too, for our board is not any good. Grafton is still in Washington but I don’t know how long he will be there he has about finished painting for this winter. I sent your letter to him today. Did you receive the pictures, and were they small enough for the lockets? I will close love to and from all. Come down when you can. Lovingly, Eva Reed

Uncle Lewis Thompson’s address is 511 G St N.W.

1910 real photo postcard

Strong as an Ox

Point of Rocks Maryland

A pair of oxen pull a wagon in Point of Rocks, Maryland. Edgar Reed, second from left is seated on the railing. Photo by Lewis Reed, 1911.

Everyone’s heard the phrase, “as strong as an ox”. Oxen often were used as draft animals in the early 20th century. They supplied much of the power associated with agriculture and were used to haul heavy loads, plow fields, and for carrying goods. A two-animal team usually can manage several tons. Interesting fact: Oxen cost half as much as horses, required half the feed and could be eaten in an emergency.

Point of Rocks has been an important crossroads of travel since American Indians established routes through the region. Though quieter these days, the area was bustling with commerce between the 1830s and 1930s. During the Civil War, troops from both sides frequently crossed the River and the Towpath. Troops traded volleys across the water, skirmished in and near Point of Rocks, and Confederates attacked canal boats and trains, destroyed locks, and raided supply stores. Both the C&O Canal Company and the B&O Railroad reached Point of Rocks by 1832.