Montgomery History Online Exhibit: Reed Brothers Dodge

Opened September 24, 2024
Curated by Jeanne Gartner and Sarah Hedlund
Montgomery History has unveiled a new online exhibition titled “Reed Brothers Dodge – Montgomery County’s Oldest Dodge Dealership.” Officially launched on September 24, 2024, the exhibition was co-curated by Jeanne Gartner, author of the Reed Brothers Dodge History blog and co-owner of the former dealership, in collaboration with Sarah Hedlund, Montgomery History’s Librarian and Archivist.
This digital exhibition presents a comprehensive narrative of Reed Brothers Dodge, tracing its evolution from its founding in the early twentieth century through its decades of service to the Montgomery County community. Organized into distinct historical periods, the exhibition highlights rare artifacts, photographs, and memorabilia; offering insights into not only the dealership’s operations but also broader cultural contexts such as automotive service, local sports, and mid-century fashion. The full exhibition is available online at https://sites.google.com/view/reedbrothersdodge/home
Jeanne Gartner, granddaughter of Lewis Reed, founder of Reed Brothers Dodge, serves as the curator and historian behind the Reed Brothers Dodge History blog. Honored with the 2016 Arthur M. Wagman Award for Historic Preservation Communication from Peerless Rockville, the blog functions as a living digital archive that preserves the dealership’s enduring legacy and its integral role in Montgomery County’s development. Since its debut in April 2012, the site has garnered more than half a million views, documenting over a century of the family business’s history, community engagement, and contributions to the American automobile industry. Drawing from Lewis Reed’s extensive photographic collection and business records, Gartner’s work offers a richly detailed portrait of local enterprise, early transportation, and the entrepreneurial spirit that helped shape both the region and the broader American story.
Montgomery History Online Exhibit: Montgomery County 1900-1930: Through the Lens of Lewis Reed
Opened January 7, 2020
Curated by Jeanne Gartner and Sarah Hedlund
Discover Montgomery County in the early 20th century through the remarkable photography of Lewis Reed, founder of Reed Brothers Dodge. An avid photographer and pioneering automobile dealer, Reed documented the region during his motorcycle journeys across Maryland, capturing the transformation of transportation, daily life, recreation, and community scenes from 1900 to 1930. His photographs offer an intimate window into the people, places, and moments that defined the county and shaped broader American history.
This online exhibition was carefully curated by Jeanne Gartner, granddaughter of Lewis Reed and co-owner of Reed Brothers Dodge, in collaboration with Sarah Hedlund, Archivist and Librarian at Montgomery History. Jeanne’s curatorial vision was instrumental in organizing these photographs into thematic galleries that illuminate Reed’s artistic legacy and documentary purpose, from the evolution of transportation and leisure pursuits to innovative photographic techniques and local economic growth.
Together, these images form a vital portrait of Montgomery County over a century ago, revealing Lewis Reed’s deep appreciation for his community and his enduring commitment to preserving its history for future generations.
View the full exhibition online: https://sites.google.com/view/lewis-reed-photography/home
Reed Photo Collection (1898-1960)

Lewis Reed, founder of Reed Brothers Dodge, was one of the most prolific photographers in Montgomery County at the turn of the 20th century. A self-taught photographer, he used a darkroom set up in his kitchen, sometimes working late at night to develop the negatives.
About This Collection:
Since launching this blog, it has been possible to explore an extraordinary archive: Lewis Reed’s photographs, taken across Maryland, Washington, DC, Virginia, and well beyond. The Reed Photo Collection (1898-1960) highlights the images that have been researched and identified, gathered into 200+ blog posts that offer vivid glimpses of everyday life more than a century ago.
Featured subjects range from the Black Rock Grist Mill, Rockville Water Tower, and C&O Canal to the 1939-1940 New York World’s Fair, Rockville Fair dirt track races, trolley cars, the Wright Brothers’ airplane, and the Quebec Bridge, once called the “Eighth Wonder of the World.” Particularly striking are the images documenting the devastation of the 1936 Gainesville, Georgia tornado, one of the deadliest in U.S. history; many photographs in this collection have never before appeared in print.
Lewis Reed’s legacy
Lewis Reed’s photographs have become an essential visual resource for local historians and have appeared in respected publications as well as historical television programs, including American Pickers, Science Channel’s Impossible Engineering, Maryland Public Television, and the PBS American Experience series.
In Montgomery County, his work is woven into the landscape: if you see a historical marker by the roadside, there is a good chance it features one of his images. His photographs appear on markers such as the Andrew Small Academy and Origins of Darnestown markers, the Baltimore & Ohio Railroad Station marker in Gaithersburg, From Trolley to Trail in Bethesda, the African American Heritage Walking Tour in Rockville, and the 19th Century Crossroads marker in Darnestown, as well as on an interpretive sign along the trail at Watters Smith Memorial State Park in West Virginia.
Early photographic “special effects”
One especially intriguing part of the collection is Lewis Reed’s experimentation with manipulated images. Long before digital cameras and Photoshop, he was creating imaginative “special effects,” a full century ahead of his time. His techniques included hand-tinting, double exposures, applied handwork, and playful compositions that introduce ghostly figures into the frame, all achieved with the limited tools of the early twentieth century. These experiments reveal not only technical skill but also a remarkable sense of creativity and humor.
Preserving historical authenticity
All images presented here are scanned from prints made from Lewis Reed’s original glass plate negatives, which were commonly used from the 1880s through the late 1920s. No digital retouching or alteration has been applied, preserving the photographs as faithfully as possible and maintaining their historical character.
Click here to step back in time and explore the lives, places, and stories captured through Lewis Reed’s camera.
Two New Books Featuring Lewis Reed’s Historic Montgomery County Photographs
More than 125 years ago, a young boy named Lewis Reed picked up a camera and began photographing the world around him. What started as a youthful fascination with photography grew into one of the most important visual records of Montgomery County’s history.
From the late 1890s through the mid-twentieth century, Lewis Reed documented a county in transition. His photographs preserve everyday life during an era when dirt roads gradually gave way to paved highways, horse-drawn wagons shared the road with the first automobiles, and small rural communities evolved into the suburban landscape we know today. Today, the Lewis Reed Photograph Collection contains more than 2,500 photographs and continues to serve as an invaluable resource for historians, educators, museums, and local preservation projects.
For a little more than a decade, I have been privileged to preserve, research, and share this remarkable collection through books, online exhibits, presentations, historical markers, and hundreds of articles published here on Reed Brothers Dodge History. It has been my goal to ensure that Lewis Reed’s photographs remain accessible to everyone interested in Montgomery County’s rich heritage.
I am pleased to announce the completion of two new softcover companion books inspired by the Montgomery History online exhibits that celebrate Lewis Reed’s photographic legacy and introduce these remarkable images to an even wider audience.
Montgomery County: Through the Lens of Lewis Reed
Created as a companion volume to Montgomery History’s online exhibit of the same name, this compact book presents a carefully selected collection of Lewis Reed’s finest photographs. Inspired by the online exhibit, it preserves a remarkable visual record of a Montgomery County that has largely disappeared.
Taken during the first decades of the twentieth century, these photographs capture a county undergoing profound change while demonstrating Lewis Reed’s remarkable gift for documenting history as it unfolded. Today, they stand among the most significant visual records of Montgomery County’s early history.
Montgomery County: Then and Now – Photography of Lewis Reed and Barry Gartner
Also created as a companion volume to Montgomery History’s online exhibit of the same name, this full-color book pairs Lewis Reed’s historic photographs with modern images recreated from the same locations by his grandson, Barry Gartner. Together, the photographic pairs reveal more than a century of change while preserving a visual connection between Montgomery County’s past and present.
The result is a unique comparison of familiar landscapes, demonstrating how photography can bridge generations and deepen our understanding of the communities that continue to evolve.
Now Available
I’m excited to share that Montgomery County: Then and Now – Photography of Lewis Reed and Barry Gartner is now available to preview or purchase through Blurb’s print-on-demand bookstore.
Readers can browse the entire book online before ordering, making it easy to explore this unique photographic journey through Montgomery County’s past and present.
Preview or order your copy here:
Montgomery County: Then and Now – Photography of Lewis Reed and Barry Gartner
The companion volume, Montgomery County: Through the Lens of Lewis Reed, will also be available soon.
Continuing the Legacy
Every publication built around the Lewis Reed Photograph Collection helps preserve a remarkable visual record of Montgomery County’s history. More than historic images, these photographs connect us with the people, places, and landscapes that shaped our communities and remind us how much can be learned from a single photograph.
Thank you to everyone who has encouraged and supported this work over the years. Your interest in Lewis Reed’s photography has helped ensure that this extraordinary collection continues to educate, inspire, and preserve Montgomery County’s history for future generations.
To explore these and my other publications, please visit the Featured Publications page here on Reed Brothers Dodge History.
High Flying History: When the Goodyear Blimp Came to Rockville
A Night on the Mooring Mast
According to a 1938 report from The Montgomery County Sentinel, the visit was far more than a simple flyover; it was a full-scale community event that turned Rockville into a temporary hub of aeronautical wonder. Local residents, who had long wondered how such a massive airship could be anchored away from a permanent dock, were given the rare opportunity to see a mobile mooring mast in action as the Enterprise stayed overnight.
The spectacle wasn’t limited to the skies, as Reed Brothers also sponsored a “Life Guard” tire demonstration to prove the safety of Goodyear’s latest technology. In a display that had to be seen to be believed, a car traveling at upwards of 60 miles per hour underwent a deliberate blowout to demonstrate that it could maintain control without serious consequences. This high-speed event was conducted with the full cooperation of local police authorities, who assisted in managing the crowds that gathered to witness the future of automotive safety and aviation.
A Ride to Remember (From the Womb)
History is often best told through the personal stories of those who lived it. One of the most charming accounts of the Enterprise’s visit comes from Janice Beall Taylor, whose parents both worked at the dealership in the 1930s.
Her mother, Mary Anna Slater, was the bookkeeper at Reed Brothers and was eight and a half months pregnant at the time of the blimp’s arrival. Not wanting to miss the chance of a lifetime, Mary Anna called her physician, Dr. Hartley, to ask if it was safe to fly.
Only if I can go, too!” the doctor reportedly replied.
True to his word, the doctor and the expectant mother took to the skies. Janice often jokes with her children that she technically enjoyed her first blimp ride two weeks before she was even born!
Preserving the Legacy
The visit of the Goodyear Blimp was more than a marketing stunt; it was a moment that captured the imagination of a generation. Thanks to Lewis Reed’s foresight in bringing his camera into the cockpit, we have a permanent record of Rockville’s landscape from a time when “aerial photography” was a daring new frontier.
Today, these images serve as a bridge to the past, reminding us of the days when a silver giant in the sky could bring an entire city to a standstill.
July 7, 1928: The Automobile That Helped Build Chrysler and Became Part of Rockville History

𝗠𝗮𝗿𝘃𝗶𝗻 𝗦𝗵𝘂𝗹𝘁𝘇’𝘀 𝗥𝗲𝗲𝗱 𝗕𝗿𝗼𝘁𝗵𝗲𝗿𝘀 𝗗𝗼𝗱𝗴𝗲-𝗣𝗹𝘆𝗺𝗼𝘂𝘁𝗵 𝗦𝗵𝗼𝗽 𝗖𝗼𝗮𝘁. Embroidered with the dealership’s name, it reflects the years when Reed Brothers proudly represented both Dodge and Plymouth.
In 1930, Reed Brothers expanded its showroom by adding the Plymouth line, marking an important milestone in the dealership’s history. When Plymouth debuted in 1928, franchises were reserved exclusively for Chrysler dealers. Two years later, Chrysler opened the brand to Dodge and DeSoto dealerships, allowing established dealers like Reed Brothers to offer the new low-priced automobile. With the addition of Plymouth, the dealership officially became Reed Brothers Dodge-Plymouth, broadening its appeal to a growing market of budget-conscious buyers.
The timing proved ideal. As the nation entered the Great Depression, Plymouth quickly emerged as one of America’s three best-selling automobile brands, joining Ford and Chevrolet at the top of the industry. More than just a successful new model, Plymouth became the financial backbone of Chrysler Corporation. Its combination of affordability, dependability, and advanced engineering attracted thousands of customers during the country’s most difficult economic years. The steady sales of Plymouth automobiles helped sustain Chrysler through the Depression and played a pivotal role in securing the company’s future as one of Detroit’s major automakers.
For Reed Brothers Dodge-Plymouth, the addition of the Plymouth franchise brought many new customers through the showroom doors in Rockville. Families who wanted the quality and engineering of a Chrysler-built automobile at an affordable price found exactly what they were looking for in Plymouth. The brand would remain an important part of the dealership’s identity for nearly four decades.
Below: Salesman Raleigh Chinn’s business card, printed after 1930, reflects the dealership’s new identity as Reed Brothers Dodge-Plymouth following the addition of the Plymouth franchise.
104 Years Ago, Six Men and Five Motorcycles Launched Montgomery County’s First Police Department

The first Montgomery County Police Department Motor Unit, photographed outside Reed Brothers Dodge in Rockville on July 4, 1922. Chief Charles Cooley (center) stands with Officers Earl Burdine, Lawrence Clagett, Guy Jones, Leroy Rodgers, and Oscar Gaither beside their Harley-Davidson motorcycles on the day the department officially began operations. Photograph by Lewis Reed.
On the morning of July 4, 1922, a small group assembled outside Reed Brothers Dodge in Rockville to mark the beginning of a new era in Montgomery County’s history. Chief Charles Cooley and five motorcycle officers had been appointed to form the county’s first organized police department. Before they departed on their inaugural patrols, local photographer Lewis Reed preserved the moment with his camera.
The photograph captures Officers Earl Burdine, Lawrence Clagett, Guy Jones, Chief Charles Cooley, Leroy Rodgers, and Oscar Gaither standing beside their Harley-Davidson motorcycles. More than a century later, it remains one of the earliest surviving images of the Montgomery County Police Department and a remarkable record of law enforcement in its infancy.
New Police Force Installed
As reported in the Montgomery County Sentinel, July 7, 1922
The officers of the Montgomery County Police Department were installed in office at the Court House on Tuesday, July 4, 1922. A goodly number of persons were present to witness the ceremony. This new force is a novelty now upon trial, introduced by an Act of the last Legislature for Maryland, and it is the general impression that it will prove to be a worthy innovation in behalf of peaceful government.
The force is composed of six members: Chief Charles T. Cooley and Privates Oscar T. Gaither, Leroy Rodgers, Earl Burdine, Guy L. Jones, and Lawrence Clagett. They filed into the courtroom wearing their new uniforms of gray whipcord cloth and their weapons, taking their seats in a line facing the Judge’s bench.
The program began with the police officers taking their oaths, administered by Mr. Ray, followed by the presentation of certificates of appointment by President Benjamin Perry of the Board of County Commissioners.
The ceremony concluded with brief speeches by Judge E. C. Peter and State’s Attorney Thomas L. Dawson.
Judge Peter addressed the new force, congratulating them on their appointment but warning them sternly against bribery, petty jealousy, and “winking at crime.” He encouraged them to uphold order, peace, and dignity in the county by strictly enforcing police laws against all offenders without fear or favor. He emphasized that the State stood behind them in their work, and that their duty was to maintain their honor and make the laws “masters of this land”.
State’s Attorney Dawson advised the officers to keep detailed records of all dates and circumstances in cases they dealt with, which he noted would lead to the “economizing of time” and the “swift and indubitable conviction of offenders”.
It was established that the new police force would work in harmony with, rather than interfere with, the work of the Sheriff’s office. Regarding compensation, the Chief of the force was to receive $1,800 a year, while each private was set to receive $1,500. Additionally, each officer was allowed $300 a year for the upkeep of his motorcycle.
The Montgomery County these officers served was a rural community of fewer than 35,000 residents. Modern police communications did not yet exist. Officers relied on telephones at the courthouse and local firehouses, while a flashing signal light atop the Red Brick Courthouse summoned them when emergencies arose. It was a simple but effective system for an era before radios and patrol cars became standard equipment.

The Red Brick Courthouse in Rockville, photographed by Lewis Reed in 1914. Just eight years later, the courthouse became the headquarters of Montgomery County’s newly established Police Department, where officers reported for duty and received emergency calls before the era of police radios.
Lewis Reed’s 1922 image records the birth of Montgomery County’s Police Department at a time when motorcycles replaced horses, rural roads linked isolated communities, and professional law enforcement was becoming an essential public service.
Today, this remarkable photograph remains an enduring testament to both the officers who answered the county’s first call to duty and the photographer whose work continues to preserve Montgomery County’s rich history.
Inventing the Scene: Lewis Reed’s Composite Experiment

Not everything in the Reed Collection is what it seems. This early composite by Lewis Reed shows how he experimented with illusion long before Photoshop.
This unusual photograph offers a rare glimpse into the experimental side of early 20th-century photography. Created by Lewis Reed at a time when cameras relied on glass plate negatives and hand-mixed chemicals, the image reflects a period when photographers were not only documentarians, but also inventors; pushing the boundaries of what the medium could achieve.
At first glance, the scene appears to show a peaceful gathering along a wooded stream. Yet the composition quickly reveals signs of careful manipulation. The curved form across the top of the image, resembling the back of a chair or decorative arch, does not belong to the natural landscape. Its texture and sharp edge cut through the sky and treetops, suggesting it was introduced from a separate negative.
The figures also feel slightly detached from their surroundings. Their contrast is stronger, their edges more defined, and the lighting on each does not quite match. Most intriguingly, the woman seated on the ground appears to be the same woman standing between the two men. This repetition is a clear sign that Reed reused the same subject in different positions, further revealing the layered nature of the image and his playful approach to composition.
Such composite images were created through a painstaking darkroom process. Photographers used masking techniques, layered glass plate negatives, and contact printing to merge multiple exposures into a single print. These “trick photographs,” as they were often called, were popular between the late 1890s and the 1920s and were meant to entertain, surprise, and demonstrate technical skill.
This photograph stands as evidence of Lewis Reed’s curiosity and craftsmanship. While he is best known for documenting everyday life and early automotive history, this image reveals another side of his work–one rooted in imagination, experimentation, and the early artistry of the photographic medium.













Recent Comments