Rare 1924 Photos Capture the First Shenandoah Apple Blossom Festival in Winchester, Virginia
Parade participants circle the racetrack as spectators view the parade from a grandstand. There was no caption on this photo, but I’m guessing it might possibly be the VMI Regimental Band. Photo by Lewis Reed, 1924
On May 3, 1924, a new tradition began in Winchester with the very first Shenandoah Apple Blossom Festival– an event that would grow into one of the region’s most celebrated annual traditions.
At the time, however, it was simply a one-day community gathering. Its lasting visual record exists largely because of one person: Lewis Reed.
His photographs captured the festival as it happened, unrehearsed and unrefined. Parade units circle the fairgrounds track, spectators fill wooden grandstands, and marching bands move through the grounds with a mix of ceremony and curiosity. There is a sense of immediacy in these images, reflecting a community participating in something entirely new, without yet knowing its future significance.
The B&O Railroad had a float in the Apple Blossom Parade. Photo by Lewis Reed, 1924
A flower-laden parade float glides past the grandstand at the Winchester fairgrounds during the first Shenandoah Apple Blossom Festival, captured through the lens of Lewis Reed as spectators look on from the shaded pavilion.
Unlike later years, when the festival would be widely promoted and carefully documented, the 1924 celebration left behind only limited records. Reed’s photographs now stand as one of the few surviving firsthand visual accounts. Parade units circle the fairgrounds track, spectators fill the wooden grandstands, and marching bands move through the space with a sense of purpose that suggests both ceremony and curiosity. There is an immediacy to these images, an unpolished authenticity that reflects a community participating in something entirely new, without yet knowing its future significance.
Taken by Lewis Reed, this image features a grand parade float adorned with white drapery and floral garlands, carrying a court of young women in classic 1920s white gowns and wide-brimmed hats.
This photo is believed to show the inaugural Queen, Elizabeth Steck, atop her floral-draped float. This historic moment during the first Shenandoah Apple Blossom Festival set the stage for a century of tradition in Winchester, Virginia.
What gives these photographs their enduring value is not simply their age, but their perspective. Lewis Reed approached photography as both a practical necessity and a form of documentation. While his work often centered on automobiles, business life, and everyday scenes, it also captured moments that would later take on deeper historical meaning.
His images of the 1924 festival preserve a fleeting beginning. They offer context for early 20th century civic celebrations and document the material culture of the time, from clothing and transportation to public gathering spaces. Without these photographs, the first Apple Blossom Festival would exist largely as a written account. With them, it becomes something far more tangible; a moment that can still be seen and experienced.
This photograph highlights the equestrian spirit of the event. A group of riders, dressed in formal white attire and matching caps, parades past the grandstands on horseback. Photo taken by Lewis Reed, 1924
This photograph captures the Pennsylvania Railroad float as it passes the grandstands. The float features a large keystone, the railroad’s iconic symbol, emblazoned with the interlocking “RR” logo. Photo by Lewis Reed.
The same rustic grandstands seen in the other photos are visible, filled with spectators watching the pageant unfold on the dirt track. Photo by Lewis Reed
Through Lewis Reed’s photography, the 1924 festival is immortalized in its most foundational form. These images do more than just record a date; they preserve the material culture of the early 20th century, documenting the precise moment when the motorized elegance of the era began to define community life. By capturing the formal attire, the rustic grandstands, and the civic pride of Winchester’s inaugural celebration, Lewis Reed ensured that the festival’s origins were not lost to the fog of memory.
Today, the Shenandoah Apple Blossom Festival draws thousands each year, but in 1924, it all began right here.
The Devastation of May 2, 1929: Montgomery County’s Deadliest Tornado in Historic Photographs
Spectators view the destruction at the Benson farm, May 1929. Photo by Lewis Reed
Ninety-seven years ago today, one of the worst tornado outbreaks in area history devastated a part of Montgomery County Maryland. At about 9 p.m. on Thursday, May 2, 1929, northeastern Montgomery County was struck by an F3 tornado, part of a large storm system that caused devastation from Florida to Ohio. The weekly Montgomery County Sentinel reported on May 10th that the “wind storm of cyclonic power… was of limited width and serpentine on its course. Everything in its path met with destruction.” These photographs were taken by Lewis Reed “after the tornado of May 2, 1929”.
Among the hardest hit was the farm of J. William Benson, where every structure, including the house, a massive barn, and multiple outbuildings, was completely obliterated. Even the surrounding landscape was reshaped. Trees from the orchard were reportedly lifted into the air and carried miles away, a testament to the storm’s incredible force.
Surveying the wreckage: Local men stand atop the splintered remains of a farmstead, where the 1929 tornado reduced buildings to a tangled mass of lumber. Photo by Lewis Reed
In the days following the disaster, Lewis Reed traveled to the scene to document the devastation. His photographs, now a haunting window into the past, capture the sheer force of a storm that could lift entire orchards into the air and reduce sturdy farmsteads to splinters. For days, thousands of people traveled to the area to witness the devastation firsthand. What they encountered was described as “indescribable wreckage,” a scene that defied easy explanation and lingered in memory long after the debris was cleared.
In the tornado’s aftermath, residents pick their way through a flattened landscape, where shattered timber, uprooted trees, and scattered debris mark the storm’s destructive path across the countryside. Photo by Lewis Reed
Amid this chaos, help arrived quickly. Local fire departments from Rockville, Gaithersburg, and Sandy Spring responded after a farm worker, having freed himself from the wreckage, ran to summon aid. Relief efforts soon followed, including support organized by the local Red Cross to assist those who had lost homes, livelihoods, and stability in a single night.
While Montgomery County was spared the worst loss of life, the broader storm system proved deadly. Reports at the time indicated that 28 people were killed across Maryland and Virginia, with the most tragic losses occurring in Virginia when a school was struck directly.
One particularly meaningful photograph includes Reed’s young daughter, Mary Jane, standing amid the aftermath. Decades later, she would help identify the locations of these images, connecting memory with history in a way few archival collections can. This personal link transforms the photographs from simple documentation into living history.
Seven-year-old Mary Jane Reed surveys the aftermath of the F3 tornado that decimated the J. William Benson farm in Unity, Maryland. Captured by her father, Lewis Reed, this image highlights the complete destruction of the 117-foot barn and the surrounding landscape following the deadliest storm in Montgomery County history.
Originally undated and unlabeled, these images might have remained anonymous fragments of the past. Instead, through family recognition and preservation, they now serve as vital historical evidence, offering a rare glimpse into one of the most destructive storms ever to strike Montgomery County.
The skeletal remains in this photo stand as a silent testament to the F3 twister that devastated northeastern Montgomery County. Photo by Lewis Reed
Today, nearly a century later, the 1929 tornado is remembered not only for its level of destruction, but for the resilience of those who endured it. And for the photographs that ensure their story is never lost.
Sources of Information:
A Fine Collection
The Montgomery County Sentinel, May 10, 1929
Then & Now: The Leesburg, VA Passenger Station
The story of the Leesburg Passenger Station becomes even more vivid when viewed through the lens of Lewis Reed, the prolific early 20th-century photographer from Montgomery County, Maryland, whose work documented key moments and locations throughout the region. Reed’s images are renowned for their ability to capture everyday details of local life, including transportation scenes and important sites in Virginia and the greater Washington area.
Leesburg Passenger Station (THEN): When the Alexandria, Loudoun, & Hampshire Railroad (later W&OD) arrived on May 17, 1860, Leesburg realized a dream. A local newspaper praised the railroad, which “throws us within an hour or two’s ride of the cities of the seaboard, and opens up a new avenue of commerce and trade.” At first a single depot, located 0.2 mile east of here, served passengers and freight. In 1887 the railroad opened a separate passenger station here at King Street. It remained in use until passenger service ended in 1951.
Even as the passenger station itself vanished, Reed’s visual archives ensure its memory stays alive. His photographs remain a valuable bridge for comparing “then & now,” letting viewers step back in time and appreciate the evolution of Leesburg, one carefully developed print at a time. The continuing presence of Reed’s work in books and exhibits means the Leesburg Passenger Station is still seen and experienced today, long after trains have passed and the site has become part of the Washington & Old Dominion Trail.
A historic photograph of the Leesburg Passenger Station captured by Lewis Reed showing the depot in its early 20th-century setting.
Leesburg Passenger Station Marker seen from King Street today.
The Leesburg Passenger Station remains a rare survivor of Loudoun’s rail era, an enduring symbol of how a small wooden depot could once shape the rhythm of a town. Its transformation from active rail stop to preserved trail-side icon connects past and present, reminding us that even as technology changes, the places that ground a community can still hold meaning.
Introducing the Second Edition of The Lewis Reed Photograph Collection (1898-1960)
Some photographs simply capture a moment. Others capture an entire world.
New Cover – Second Edition. An expanded 384-page volume featuring more than 2,500 historic photographs preserved by Lewis Reed, many published for the first time. A remarkable visual record of the early 20th century.
I am pleased to announce the release of the Second Edition of the Lewis Reed Photograph Collection (1898–1960), an expanded and refined visual archive documenting over six decades of life, landscape, and community in Montgomery County, Maryland and the surrounding Mid-Atlantic region.
More than a century ago, Lewis Reed began photographing the towns, farms, roads, and people around him with a camera and a deep curiosity about a world in rapid transition. What began as the hobby of a young motorcycle enthusiast traveling the back roads of Maryland soon grew into one of the most remarkable visual records of the region’s history.
Many of the photographs in this collection were created from glass-plate negatives and early prints; preserving rural crossroads, bustling town centers, early automobiles sharing roads with horse-drawn wagons, and landscapes that look entirely different today. These are images that might otherwise have been lost to time.
What’s New in the Second Edition
This expanded edition presents Lewis Reed’s photographs in thematic sections that highlight the full breadth of his work; from Maryland towns and landscapes to family portraits, travel scenes, and the early history of Reed Brothers Dodge, which Lewis founded in Rockville in 1915. The collection draws from more than 2,500 digitized photographs, each carefully researched to identify the places and people they depict.
Many images were identified through long conversations with Lewis Reed’s daughter, Mary Jane Reed Gartner, whose recollections helped bring these photographs back to life and restore the stories behind them.
Lewis Reed is remembered locally as the founder of Reed Brothers Dodge, but photography was a lifelong passion alongside his business career. His images document everything from the C&O Canal in operation to small-town parades, churches, farms, and early roadways. Taken together, they form one of the most extensive visual archives of Montgomery County during the period when rural communities were giving way to the modern suburban landscape we know today.
A Note on Pricing
This is a photo-intensive volume, approaching four hundred pages, and is printed on demand through Blurb.com, meaning each copy is produced individually rather than in large commercial print runs. The pricing reflects the actual cost of producing such a large photographic archive. This project was created primarily to preserve and share Lewis Reed’s historic photographs, not as a commercial publication.
Get Your Copy
The Lewis Reed Photograph Collection (1898–1960), Second Edition is available now through Blurb.com’s print-on-demand bookstore.
Or visit the collection page for more information: reedbrothersdodgehistory.com
To stay up to date with new posts and historical discoveries, subscribe to the Reed Brothers Dodge History blog and follow along as the story of Lewis Reed and Montgomery County’s past continues to unfold.
A Field, a Gun, and a Trap
Early 1900s field trap shoot in Darnestown, Maryland, captured by Lewis Reed, showing one man poised with a shotgun while another readies the simple wooden trap amid farmhouses and open pasture.
In this photograph, two men stand in an open field bordered by modest frame houses and fenced pastures, a scene typical of small crossroads communities like Darnestown in the early 1900s. One man holds what appears to be a long gun, while the other sits beside a simple wooden rig that resembles the framework used to cock and release early manually operated target throwers or live‑bird traps
The proximity to grazing livestock suggest that this is not a formal gun club range but an improvised shooting ground on private farmland, which was common before purpose‑built trap clubs spread widely. Rural shooters often practiced in meadows or behind farmhouses, using homemade equipment and relying on a friend to work the trap while the shooter took position in front.
Darnestown in Reed’s era was a small but important crossroads in western Montgomery County with farms, mills, and the Andrew Small Academy serving the surrounding countryside. Later roadside historical markers that use Lewis Reed’s images emphasize how thoroughly he documented the community’s buildings and daily activities, making it likely that he also recorded local recreations such as shooting, fishing, or horse‑related events.
Clay target shooting gained popularity in the United States after the introduction of standardized targets and simple spring‑powered traps in the late 19th century, and Maryland farm communities were no exception. Scenes like this one, with neighbors gathering in an open field to test their marksmanship, reflect how shooting sports blended workday skills with weekend socializing in a largely agricultural landscape.
This image captures a rare glimpse of informal trap shooting at the moment when traditional rural life was beginning to intersect with modern leisure and sport. The combination of farmhouses, fence lines, cattle, and improvised equipment tells a layered story: of a county still rooted in agriculture, of residents embracing new pastimes, and of a photographer committed to preserving unscripted moments as carefully as grand events.
For historians, collectors, and local families, the photograph is more than a quaint scene; it is a visual document that anchors memories of people, place, and pastime in a specific landscape. As additional Reed negatives are identified and researched, images like this may help flesh out the early history of shooting sports in Montgomery County and deepen understanding of how communities like Darnestown spent their rare hours of leisure.
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Copyright Notice
Reed Brothers Dodge History (1915-2012) by Jeanne Gartner is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Reed Brothers Dodge History 1915 – 2012 
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