A Look Back at the Forgotten Art of Hand-Tinted Photography
The hand-tinted photos of Lewis Reed and his daughter, Mary Jane, are examples of the photographic process that most of the people reading this will have never experienced: hand-tinting.
The golden age of hand-colored photography occurred between 1900 and 1940. Before the days of true color photography, these views were immensely popular. While hand coloring doesn’t help you identify or date an image, it does enhance a photograph’s appearance and add to its history.
Before the advent of color photography, photographers painstakingly applied color to black and white photos in order to show a truer visual depiction of a photo image. All of the photographs featured here were taken by Lewis Reed in the early 1900s and were hand-tinted by his daughter, Mary Jane, likely in the late 1930s to 1940. She colored the photos with special photographic watercolor and a paintbrush. Rather than coloring the entire image—a time-consuming task—she carefully selected details that would make the image lively and attractive. The fact that these photos, all of which are over 100 years old, are still in relatively good condition is a strong testament to the lasting power of hand-tinted photographs.
Do you recognize the road pictured below? Few modern residents of Montgomery County would guess, but this is a shot down Veirs Mill Road in the early 1900s. Mary Jane Reed added some depth to the image with subtle earth tones, in the colorized version.
Veirs Mill Road looking east before it was paved. Original photograph by Lewis Reed, 1911.
Colorized version of the photograph above by Lewis Reed. The photo was hand-tinted by Mary Jane (Reed) Gartner, making it look like a color photo.
Below, Lewis Reed’s c. 1909 photograph of his little cousin, Amanda Reed, sitting amongst the hydrangeas — the original before, and the colorized version after.
Amanda Reed before hand-tinting. Original photograph by Lewis Reed.
Amanda Reed after hand-tinting by Mary Jane (Reed) Gartner. Pastel was apparently a good choice for coloration.
To a visual artist like a dedicated photographer, the inability of the black-and-white camera to capture the richness of colorful blooms or the vibrancy of a summer scene must have been endlessly frustrating.
Lewis Reed’s daughter Mary Jane seemed particularly fond of hand-tinting photographs of flowers — it must have given her a lot of pleasure to “restore” color to her father’s beautifully composed shots. View some more of her work below.
Roses before hand-coloring. Original photograph by Lewis Reed.
Roses after hand-coloring
Hand-colored flowers
Below are two different versions of tinting a similar image. In Version 2, some of the flowers at the top were removed from the vase (by Lewis Reed, before taking a second shot) for a different aesthetic effect. The color artist used bolder colors to enhance that effect.
Original arrangement before hand-tinting. Original photograph by Lewis Reed.
Version 1: Arrangement after hand-tinting by Mary Jane (Reed) Gartner
Version 2: Arrangement after hand-tinting by Mary Jane (Reed) Gartner
This is a hand-tinted version of Rock Creek taken by Lewis Reed in the early 1920s.
Other examples of hand-tinting are included in the following collection of Lewis Reed’s Black Rock Mill photographs. Black Rock Mill was built by Thomas Hillary and has stood along the banks of Great Seneca Creek as a landmark since its construction in 1815-1816. The mill was in working operation for over a hundred years until a flood in 1920 destroyed a dam on Seneca Creek and damaged the mill. Today, it a unique survivor of the many mills in Montgomery County harnessing the water-power of the creeks to grind wheat and corn into flour. It is one of only two mills standing in Montgomery County Maryland.
Black Rock Mill bridge hand-tinted by Lewis Reed’s daughter, Mary Jane.
Bridge over Seneca Creek. Photo by Lewis Reed and hand-tinted by his daughter, Mary Jane
Strolling down a lane on a beautiful summer’s day. Black Rock Mill hand-tinted photo
Black Rock Mill hand-tinted photo
The art of hand-tinted photos was introduced along side the daguerreotype in 1839. In the 19th century it was most common for the professional photographer to tint the photograph or tintype just after printing. Later photo artists introduced new techniques using oil, watercolor and other types of paint to achieve the desired result. With the Great Depression, the sale of professional hand-tinted photographs declined, but the home artist continued to have access to hand-tinting kits. Today, we can look back and appreciate the time and creativity it took to edit these photos without Photoshop.
Find photos like these and much more on Montgomery History’s online exhibit, “Montgomery County 1900-1930: Through the Lens of Lewis Reed“.
Christmas Trees and Snow Villages from a Hundred Years Ago
With only a few days left until Christmas, I thought it might be fun to take a look at some photos from Lewis Reed’s collection that show us what Christmas trees used to look like 100 years ago. In those days, there was not wide-spread agreement on exactly what a tree should look like, which made for a lot of creativity. Not surprisingly, they were very different than the perfectly shaped tress we have on display today.
The trees were big back then and always fresh. They went right to the ceiling and were very wide. Early Christmas trees were generally fastened onto a flat board surrounded with fence-rails, snow villages and carpeted with cotton blankets of snow. The tree in the photo below has an abundance of tinsel, which grew in popularity to the point that, by the 1920s, it was common to nearly cover the tree in the decorative material.
So, what is tinsel (aka icicles) exactly? Originally made from strands of silver alloy, tinsel was in fact first used to decorate sculptures. It was only later that it became a Christmas tree decoration, employed to enhance the flickering of the candle flames. In the 1950s, tinsel became so popular that it was often used as a substitute for Christmas lights.
A small snow scene with what appears to be a miniature church is arranged at the foot of the Christmas tree. A popcorn garland adorns the tree. Photo by Lewis Reed
So, where did Washingtonians get their trees?
From The Evening Star, Washington, DC 23 December 1923:
Conduit Road on the long stretch between Glen Echo and Great Falls for many years has been a favorite hunting ground where hundreds and hundreds of families have customarily obtained scrub pine trees for Christmas week. Usually there is plenty of holly and some mistletoe to be found in the rugged and rolling hill lands which are the gateway to Great Falls.
No room for a star on the top of this tree! And just look at those big Santa and Angel dolls. Other fun little details are notable, including a miniature church with picket fence is arranged at the base of the tree. Photo by Lewis Reed
There’s a fine art to decorating Christmas trees that’s been developing since over 100 years ago. People consider lights, garland, ornaments, skirt, and more. But one thing that’s hard to resist sometimes is just filling every available space with decorations. Clearly, that was the case years ago too. What I like about these trees is that they are so randomly shaped and even misshapen. Folks back then didn’t trim them down to a more aesthetically pleasing symmetry like we do today.
The tradition of building miniature Christmas village landscapes, including houses, animals, and other hand-crafted wooden figures, began with the Pennsylvania Dutch in the late 1800s. Mass-produced cardboard houses, sold in dimestores, became popular in the mid-20th century. Today, these villages in good condition can be highly collectible.
Below are photos of Lewis Reed’s snow village set up under the Christmas tree decorated with vintage ornaments, tinsel, and lights. I don’t remember the odd-shaped Christmas trees, but I do remember having a lot of fun helping my grandfather set up the miniature landscapes with the varied figures, little houses, and trees at Christmastime each year. It seemed like a holiday village right out of a storybook.
A rustic picket fence is used to set off the village display. Dangling strands of tinsel hang below the tree. Photo by Lewis Reed
The snow villages were set up in Lewis Reed’s basement on top of a big table beneath a small Christmas tree. He made the snow scenes entirely by hand using wire-covered cardboard and balled up paper to make hills and pathways. The little houses and figurines would fit into the landscape with cotton ‘snow’ all around; and lights would be wired underneath.
Little houses, churches, fences, trees, and pathways were added to the scene. Some of the houses have charming light effects in the windows. The roofs of the houses were decorated with fake snow. Photo by Lewis Reed
These Christmas villages were precursors of the Holiday Villages that were made popular by Department 56 that you see today.
Old-fashioned lights can be seen on the tree, along with lit windows in the houses. The miniature houses usually had holes in the back or the bottom through which tiny lights were placed to provide illumination. Photo by Lewis Reed
Wishing all of you who have stopped in to visit a very Merry Christmas and Happy New Year! Stay safe and enjoy the holiday season with friends and family!
Then & Now: Smithsonian Institution Castle
This post is a continuation of a series of “Then & Now” images from Lewis Reed’s Photo Collection alongside photographs of how they appear today. Lewis Reed worked hard to preserve a visual history of Montgomery County, Maryland and surrounding area long before automobiles were even around. As early as 1905, he toured on his motorcycle across the states of Maryland, Virginia, and Washington, D.C. and took photographs of many historic locations. Taken approximately 115 years apart, you can see how the Smithsonian Institution Castle looks both the same and completely different from over a century ago.
Smithsonian Institution Castle (THEN): The Smithsonian Institution Building, popularly known as the “Castle,” was designed by architect James Renwick, Jr. Initially, the Castle was intended to be built in white marble and then in yellow sandstone. The architect and the building committee finally agreed on using Seneca red sandstone from the Seneca Quarry, located in Montgomery County, Maryland. When it was completed in 1855, it sat on an isolated piece of land cut off from downtown Washington, DC, by a canal. In the ensuing decades, the Castle became the anchor for the National Mall, as additional museums and government buildings were constructed around it.
Smithsonian Institution Castle. Photo taken by Lewis Reed in 1907
Smithsonian Institution Castle (NOW): The same view over a century later. The Smithsonian Institution Castle, located near the National Mall in Washington, D.C. behind the National Museum of African Art and the Sackler Gallery, houses the Smithsonian Institution’s administrative offices and information center.
Smithsonian Institution Castle today
Halloween in Montgomery County 100 Years Ago
Ever wondered how Montgomery County families celebrated Halloween 100 years ago? Thanks to the these photographs from Lewis Reed’s collection, we can travel all the way back to 1914.
At the turn of the century, women often wore their regular clothes topped with homemade masks. The first Halloween costumes were usually worn by women and reflected the idea of masquerades that was extremely popular in the early 1900s. People only began to buy manufactured costumes in the second and third decades of the 20th century.
Halloween, ca. 1914. These women are holding homemade Halloween masks for their upcoming celebration. Photo by Lewis Reed
Oh the good ol’ days, when wearing a mask was enough to be dressed up for celebrations! Do you know how your ancestors’ celebrated Halloween? Newspapers are a great source to get a better understanding of life in the past. This special post is a look back through newspaper articles and Lewis Reed’s photographs at how Halloween was celebrated 100 years ago.
Stocked Stores: Stores were stocked with all the Halloween supplies needed for a fun celebration. Below is an ad for costumes and masquerade suits for those participating in Halloween parties and other seasonal affairs.
The Washington Post, October 30, 1916
Dancing and Parties: Halloween parties and dancing were enjoyed by many. Some announcements even included a list of guests in attendance!
The Baltimore Sun, November 3, 1912
Here is the description of a Halloween party from the Society Section of the November, 1916 issue of The Evening Star (Washington, District of Columbia):
A Halloween party was given last evening… and a merry evening spent by those present. The reception hall, living and dining rooms were artistically decorated with autumn leaves, lanterns, chrysanthemums and orange and black streamers. The evening was spent in old-fashioned games, concluding with the entire assemblage gathering about an open fireplace in the dark, while the guests were led by a ghost through various parts of the darkened home. The evening’s entertainment concluded with music, dancing and the serving of refreshments.
This photo captures a moment from a Halloween gathering over 100 years ago. Photo by Lewis Reed
Any sort of Halloween festivities demanded some sort of refreshment. In addition to traditional pumpkin pies and molasses cookies, a suggested dish to serve at Halloween parties was a Halloween salad.
Halloween Pranks: Witches and goblins, ghosts and mischief-making youngsters were permitted to enjoy all the Halloween revelry they liked … BUT DON’T THROW FLOUR. Yes, apparently in the early 1900s, there wasn’t much to do for entertainment, so kids would knock on doors on Halloween night and throw flour at whoever answered. To the modern observer, some of the traditions of Halloween 100 years ago are downright bizarre.
The Evening Star, October 31, 1916
Halloween Parades: Halloween parades actually began because pranks and mischief had gotten out of control. By 1920, there was a push to turn Halloween into a holiday centered around community gatherings and festive Halloween parades, rather than mischief.
There is something undeniably creepy about this clown in sunglasses riding on a horse in a Halloween Parade. Location is unknown. Photo by Lewis Reed
Wishing all my friends, followers, and visitors of this blog a very safe and happy Halloween!
Rockville Auto Races, August 25, 1923
Interestingly, horses made the first automobile speed races possible. Harness racing was one of the main attractions at the Rockville Fair race track before the introduction of the automobile and the subsequent popularity of racing cars. The race track was a half-mile dirt racing oval with wide, sweeping curves and a grandstand for spectators, and was easily adapted for bicycles, harness racing, and the sport of car racing.
The use of horse tracks for racing brought another change – the switch from amateur drivers to professionals. Cars were getting bigger and faster, and racing was becoming too dangerous for “gentlemen.” What had begun as entertainment for wealthy car owners had become a professional sport.
From The Evening Star (Washington, DC) 24 August 1923
ROCKVILLE AUTO RACES LISTED FOR TOMORROW
Speed records will be placed in jeopardy at Rockville Fair tomorrow afternoon when a half score of professional drivers will compete in a seven-event program.
Featuring the program is the record trials in which Frank Ripple, Canadian speed star and dirt track champion will drive his 140 horsepower aeroplane motor in an effort to hang up some new marks. Every driver on the track will be eligible to enter the time events, but speed fans look to Ripple.
Two foreign machine and six American-built cars are listed to start.
Early action shots like the ones below are rare, however, Lewis Reed was there to capture six epic moments of race history through the lens of his camera that day.
THE FIRST RACE
From The Baltimore Sun, August 27, 1923:
This is the first year that a Rockville Fair has continued through Saturday. The extra day was added this time as an experiment, the management believing that by substituting new features the additional day could be made a success. Automobile races, the first ever held at Rockville, were the day’s principal attraction and they attracted a good-sized crowd.
Rockville drew huge crowds for auto races. Rockville Fair, August 25, 1923. Photo by Lewis Reed
Dusty Action – 1923 photo of the exciting auto races at Rockville Fair. Five racers are just coming around the bend on this dirt track with their tires spinning up dust in their wake. Photo by Lewis Reed
Race car drivers deep in dust round a turn at the Rockville Fair auto races. Print made from a Lewis Reed glass negative.
High-powered race cars rounding a wide, sweeping curve at the Rockville Fair auto races, August 25, 1923. Print made from a Lewis Reed glass negative
Two-man race car. Some early race cars included both a driver and a ‘riding mechanic’. One of the key jobs of the second man in a race car was to look backward and alert the driver to what was going on behind him. Photo by Lewis Reed
Early race car drivers were required to have a riding mechanic, otherwise it was voluntary. Riding mechanics, who in addition to being lookouts, kept an eye on tire wear and would even hop out of the car and run back through the infield to get fuel.
This photograph was featured as a part of the ‘London Array’ Series of Impossible Engineering that was broadcast on January 24, 2019 on Discovery’s Science Channel. The photograph was used on the program that featured a segment on the development of the race car.
More dirt track action. Skinny tires make for slippery turns. Photo by Lewis Reed.
ALONG WITH AUTO RACES, AUTO POLO DEBUTED AT THE ROCKVILLE FAIR
From The Washington Post, August 25, 1923
Note in the program above, that in addition to racing, there were two auto polo events.
WHAT ON EARTH IS AUTO POLO?
Given that early automobiles were marketed as replacement horses, it was inevitable that the game of auto-polo would be invented. The idea of playing polo with cars had been tossed around starting in about 1900. It took 10 years, and the Ford Model T, to make it practical.
In 1912, some people thought it would be a good idea to strip the bodies off Model Ts, and put together some two-car teams to whack a ball around with mallets. On July 12, they did just that, playing with oversized croquet mallets and a two-pound, basketball-sized ball. Two cars took the field, and two more tended their respective goals.
From The Daily News, Frederick, Maryland, August 24, 1923:
Thousands of people attended the Fair on Thursday, which was the biggest day of the week, at least from the attendance standpoint. By two-o’clock the grandstand was so crowded that even standing room was at a premium. The racing events of the afternoon were unusually good. As special grandstand features there were auto polo and stunt riding.
Any form of safety was completely absent, unless you count the occasional presence of a hat. The cars were protected with roll bars in back and around the radiator, but the drivers, not so much. The game consisted of five 10-minute periods. It was hard on drivers, cars, and the field. There was no limit on car substitutions, and as many as a half-a-dozen per team might be demolished during the game, along with the stands, goalposts, referees (on foot on the field) and anything else that got in their way.
1922 auto polo match in Los Angeles. The referees job is very dangerous as the cars careen about the field and smash into each other. Google stock image.
All we hope is that this lunatic game will not spread.Automobile Topics, Nov. 16, 1912
AUTO RACES MARK END OF 5-DAY ROCKVILLE FAIR
From The Sunday Star, Washington, DC, August 26, 1923:
Thrilling automobile races brought the annual Rockville Fair to a close this afternoon. The sport was as innovation so far as Rockville was concerned.
Seven high-powered cars, operated by some of the crack drivers of the country, participated. The events ranged from one to ten miles in distance, and some fast time was made. Excepting that of Thursday, the largest crowd of the five days was on hand.
Auto Polo Credit: May 2010 issue of Hemmings Motor News
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Reed Brothers Dodge History (1915-2012) by Jeanne Gartner is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Reed Brothers Dodge History 1915 – 2012 
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