Then & Now: Baltimore & Ohio Railroad, Point of Rocks Tunnel
This post is a continuation of a series of “Then & Now” images from Lewis Reed’s Photo Collection alongside photographs of how they appear today. Lewis Reed worked hard to preserve a visual history of Montgomery County, Maryland and surrounding area long before automobiles were even around. As early as 1905, he toured on his motorcycle across the states of Maryland, Virginia, and Washington, D.C. and took photographs of many historic locations. Taken over 112 years apart, you can see how the Point of Rocks Train Tunnel in Maryland looks almost the same from over a century ago.
Point of Rocks Tunnel (THEN): Just west of the Point of Rocks Train Station is the Point of Rocks Tunnel. The original single-track main line is the track on the far left which goes around the cliff. A boxcar is visible just to the left of the tunnel opening. The tunnel was completed in 1902 when it became necessary to add a second track. The tunnel portal has a brick facade with the bricks forming the words, “Point of Rocks” above the opening. Just over the river bank from the original main line was the Chesapeake & Ohio Canal (C&O). Space is tight there and the railroad and canal folks were often at odds. A wall between the two was constructed to help ensure the trains did not scare the mules pulling the canal boats.
Point of Rocks Train Tunnel, 1911. Photo by Lewis Reed
Point of Rocks Tunnel (NOW): The tunnel was enlarged in 1902 to accommodate larger trains. In the early 1960s, the eastbound track was moved to the outside of the tunnel to accommodate still larger trains. This was done by blasting the rocks on the old alignment outside the tunnel, enlarging the road bed, and dumping the excavation rocks into the canal bed, where they remain today.
Point of Rocks Train Tunnel today
Point of Rocks Maryland, 1911
Point of Rocks, 1911. Photo by Lewis Reed
In 1835, the community of Point of Rocks, originally known as Trummelstown, was laid out at the foot of the Catoctin Mountains along the route of the C&O Canal and the B&O Railroad in order to provide dwellings for workers building the railroad and canal. The community was soon thereafter renamed for a nearby notable geographic feature of projecting rocks formed at the point where the Catoctin mountain range reached the Potomac River. This feature is no longer visible today, as it has been largely removed to accommodate the construction of the railroad and Point of Rocks Tunnel. The coming of the transportation routes and the construction of an adjacent bridge crossing and railroad spur over the Potomac River in 1852 lead to the growth of the town. By 1858, dwellings, a store, a hotel and a number of warehouses and flour mills that received grain from northern Virginia farmers for transport to Washington were located along the north side of the railroad.
Point of Rocks Railroad Station, 1911. Photo by Lewis Reed
The growth of the Point of Rocks area was further prompted by the erection of the largest iron forge in the tri-state area on the opposite bank of the Potomac in Loudoun County, Virginia. In the mid-19th century, the operation employed over 250 men, many of whom crossed over the bridge from Maryland. The town also served passenger traffic on the railroad and became one of a number of resort towns along the Potomac River. By 1873, warehouses, hotels, and other commercial building lined both sides of the railroad and canal in an area south of the present-day village. In 1873, a location about a mile to the southeast of Point of Rocks became the junction of the B&O Railroad’s Metropolitan Branch and the Old Main Line passenger trains. The station name was first Point of Rocks, then changed to Washington Station in 1876, and reverted back to Point of Rocks in 1923.
Point of Rocks Railroad Station, 1911. Photo by Lewis Reed
The growth of the low-lying village was inhibited throughout the 19th and 20th centuries by several floods. By 1910, few remnants of the original village remained, with most of the village now being located on higher ground. In 2009, the earliest extant buildings date to the late 19th century.
May 2, 1929: Montgomery County’s Deadliest Tornado (Aftermath Photos)
Spectators view the destruction at the Benson farm, May 1929. Photo by Lewis Reed
Ninety-four years ago today, one of the worst tornado outbreaks in area history devastated a part of Montgomery County Maryland. At about 9 p.m. on Thursday, May 2, 1929, northeastern Montgomery County was struck by an F3 tornado, part of a large storm system that caused devastation from Florida to Ohio. The weekly Montgomery County Sentinel reported on May 10th that the “wind storm of cyclonic power . . . was of limited width and serpentine on its course. Everything in its path met with destruction.” These photographs were taken by Lewis Reed “after the tornado of May 2, 1929”.
May 1929. Photo by Lewis Reed
The damage in the county was limited to the rural Unity area, north of Brookeville. The Sentinel article detailed each affected farm, noting that “thousands of persons from far and near visited the scene for several days to look upon the indescribable wreckage.”
May 1929. Photo by Lewis Reed
From the Sentinel: “The storm showed its first violence upon the farm of Mr. J. William Benson. There it destroyed every building – the dwelling house, large barn, 117 feet long, including an attached shed, and all other outbuildings.” The farm was unoccupied, but furniture belonging to “a prospective tenant” was destroyed. Mr. Benson’s apple orchard was also significantly damaged, and the article claimed that “many [trees] were lifted into the air, carried over woods and landed several miles away.”
Lewis Reed’s daughter, Mary Jane, May 1929. Photo by Lewis Reed
The fire departments of Rockville, Gaithersburg and Sandy Spring responded to the call made by farm worker James Leizear, who “extricated himself from the wreckage” and ran half a mile to a neighbor’s house to summon help.
The Post reported on May 4th that 28 people in Maryland and Virginia had been killed by tornadoes during the storm; most of the casualties were in Virginia, where an elementary school was struck full-force and at least 18 children died. In Montgomery County, the local Red Cross Chapter formed a citizen committee to raise funds “for relief of the sufferers.”
May 1929. Photo by Lewis Reed
Note: These photographs were undated and unlabeled in my grandfather’s collection. My mother, Mary Jane (Reed) Gartner, who is seen above when she was almost 7 years old, positively identified these photographs and just about pinpointed the location! It’s amazing the things you remember from your early childhood.
Sources of Information:
A Fine Collection
The Montgomery County Sentinel, May 10, 1929
A Look Back at the Forgotten Art of Hand-Tinted Photography
The hand-tinted photos of Lewis Reed and his daughter, Mary Jane, are examples of the photographic process that most of the people reading this will have never experienced: hand-tinting.
The golden age of hand-colored photography occurred between 1900 and 1940. Before the days of true color photography, these views were immensely popular. While hand coloring doesn’t help you identify or date an image, it does enhance a photograph’s appearance and add to its history.
Before the advent of color photography, photographers painstakingly applied color to black and white photos in order to show a truer visual depiction of a photo image. All of the photographs featured here were taken by Lewis Reed in the early 1900s and were hand-tinted by his daughter, Mary Jane, likely in the late 1930s to 1940. She colored the photos with special photographic watercolor and a paintbrush. Rather than coloring the entire image—a time-consuming task—she carefully selected details that would make the image lively and attractive. The fact that these photos, all of which are over 100 years old, are still in relatively good condition is a strong testament to the lasting power of hand-tinted photographs.
Do you recognize the road pictured below? Few modern residents of Montgomery County would guess, but this is a shot down Veirs Mill Road in the early 1900s. Mary Jane Reed added some depth to the image with subtle earth tones, in the colorized version.
Veirs Mill Road looking east before it was paved. Original photograph by Lewis Reed, 1911.
Colorized version of the photograph above by Lewis Reed. The photo was hand-tinted by Mary Jane (Reed) Gartner, making it look like a color photo.
Below, Lewis Reed’s c. 1909 photograph of his little cousin, Amanda Reed, sitting amongst the hydrangeas — the original before, and the colorized version after.
Amanda Reed before hand-tinting. Original photograph by Lewis Reed.
Amanda Reed after hand-tinting by Mary Jane (Reed) Gartner. Pastel was apparently a good choice for coloration.
To a visual artist like a dedicated photographer, the inability of the black-and-white camera to capture the richness of colorful blooms or the vibrancy of a summer scene must have been endlessly frustrating.
Lewis Reed’s daughter Mary Jane seemed particularly fond of hand-tinting photographs of flowers — it must have given her a lot of pleasure to “restore” color to her father’s beautifully composed shots. View some more of her work below.
Roses before hand-coloring. Original photograph by Lewis Reed.
Roses after hand-coloring
Hand-colored flowers
Below are two different versions of tinting a similar image. In Version 2, some of the flowers at the top were removed from the vase (by Lewis Reed, before taking a second shot) for a different aesthetic effect. The color artist used bolder colors to enhance that effect.
Original arrangement before hand-tinting. Original photograph by Lewis Reed.
Version 1: Arrangement after hand-tinting by Mary Jane (Reed) Gartner
Version 2: Arrangement after hand-tinting by Mary Jane (Reed) Gartner
This is a hand-tinted version of Rock Creek taken by Lewis Reed in the early 1920s.
Other examples of hand-tinting are included in the following collection of Lewis Reed’s Black Rock Mill photographs. Black Rock Mill was built by Thomas Hillary and has stood along the banks of Great Seneca Creek as a landmark since its construction in 1815-1816. The mill was in working operation for over a hundred years until a flood in 1920 destroyed a dam on Seneca Creek and damaged the mill. Today, it a unique survivor of the many mills in Montgomery County harnessing the water-power of the creeks to grind wheat and corn into flour. It is one of only two mills standing in Montgomery County Maryland.
Black Rock Mill bridge hand-tinted by Lewis Reed’s daughter, Mary Jane.
Bridge over Seneca Creek. Photo by Lewis Reed and hand-tinted by his daughter, Mary Jane
Strolling down a lane on a beautiful summer’s day. Black Rock Mill hand-tinted photo
Black Rock Mill hand-tinted photo
The art of hand-tinted photos was introduced along side the daguerreotype in 1839. In the 19th century it was most common for the professional photographer to tint the photograph or tintype just after printing. Later photo artists introduced new techniques using oil, watercolor and other types of paint to achieve the desired result. With the Great Depression, the sale of professional hand-tinted photographs declined, but the home artist continued to have access to hand-tinting kits. Today, we can look back and appreciate the time and creativity it took to edit these photos without Photoshop.
Find photos like these and much more on Montgomery History’s online exhibit, “Montgomery County 1900-1930: Through the Lens of Lewis Reed“.
Christmas Trees and Snow Villages from a Hundred Years Ago
With only a few days left until Christmas, I thought it might be fun to take a look at some photos from Lewis Reed’s collection that show us what Christmas trees used to look like 100 years ago. In those days, there was not wide-spread agreement on exactly what a tree should look like, which made for a lot of creativity. Not surprisingly, they were very different than the perfectly shaped tress we have on display today.
The trees were big back then and always fresh. They went right to the ceiling and were very wide. Early Christmas trees were generally fastened onto a flat board surrounded with fence-rails, snow villages and carpeted with cotton blankets of snow. The tree in the photo below has an abundance of tinsel, which grew in popularity to the point that, by the 1920s, it was common to nearly cover the tree in the decorative material.
So, what is tinsel (aka icicles) exactly? Originally made from strands of silver alloy, tinsel was in fact first used to decorate sculptures. It was only later that it became a Christmas tree decoration, employed to enhance the flickering of the candle flames. In the 1950s, tinsel became so popular that it was often used as a substitute for Christmas lights.
A small snow scene with what appears to be a miniature church is arranged at the foot of the Christmas tree. A popcorn garland adorns the tree. Photo by Lewis Reed
So, where did Washingtonians get their trees?
From The Evening Star, Washington, DC 23 December 1923:
Conduit Road on the long stretch between Glen Echo and Great Falls for many years has been a favorite hunting ground where hundreds and hundreds of families have customarily obtained scrub pine trees for Christmas week. Usually there is plenty of holly and some mistletoe to be found in the rugged and rolling hill lands which are the gateway to Great Falls.
No room for a star on the top of this tree! And just look at those big Santa and Angel dolls. Other fun little details are notable, including a miniature church with picket fence is arranged at the base of the tree. Photo by Lewis Reed
There’s a fine art to decorating Christmas trees that’s been developing since over 100 years ago. People consider lights, garland, ornaments, skirt, and more. But one thing that’s hard to resist sometimes is just filling every available space with decorations. Clearly, that was the case years ago too. What I like about these trees is that they are so randomly shaped and even misshapen. Folks back then didn’t trim them down to a more aesthetically pleasing symmetry like we do today.
The tradition of building miniature Christmas village landscapes, including houses, animals, and other hand-crafted wooden figures, began with the Pennsylvania Dutch in the late 1800s. Mass-produced cardboard houses, sold in dimestores, became popular in the mid-20th century. Today, these villages in good condition can be highly collectible.
Below are photos of Lewis Reed’s snow village set up under the Christmas tree decorated with vintage ornaments, tinsel, and lights. I don’t remember the odd-shaped Christmas trees, but I do remember having a lot of fun helping my grandfather set up the miniature landscapes with the varied figures, little houses, and trees at Christmastime each year. It seemed like a holiday village right out of a storybook.
A rustic picket fence is used to set off the village display. Dangling strands of tinsel hang below the tree. Photo by Lewis Reed
The snow villages were set up in Lewis Reed’s basement on top of a big table beneath a small Christmas tree. He made the snow scenes entirely by hand using wire-covered cardboard and balled up paper to make hills and pathways. The little houses and figurines would fit into the landscape with cotton ‘snow’ all around; and lights would be wired underneath.
Little houses, churches, fences, trees, and pathways were added to the scene. Some of the houses have charming light effects in the windows. The roofs of the houses were decorated with fake snow. Photo by Lewis Reed
These Christmas villages were precursors of the Holiday Villages that were made popular by Department 56 that you see today.
Old-fashioned lights can be seen on the tree, along with lit windows in the houses. The miniature houses usually had holes in the back or the bottom through which tiny lights were placed to provide illumination. Photo by Lewis Reed
Wishing all of you who have stopped in to visit a very Merry Christmas and Happy New Year! Stay safe and enjoy the holiday season with friends and family!
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Reed Brothers Dodge History (1915-2012) by Jeanne Gartner is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Reed Brothers Dodge History 1915 – 2012 
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