Reed Brothers Baseball Team, 1920
Rockville’s first experience with baseball was during the Civil War on the fields where Richard Montgomery High School now stands. It was known as “Camp Lincoln” because of the Union encampment there, and Federal soldiers helped popularize the new game they brought from the North. One little known part of the history of the grounds is that during the Civil War, President Abraham Lincoln was afraid that Maryland would secede from the Union and that the District of Columbia would thus be bordered on both sides by Confederate states. He used the land of the fairgrounds for tents to maintain up to 10,000 Federal soldiers at a time in order to do his utmost to keep Maryland, especially via the major thoroughfare of Rockville Pike, within the Union.
After the Civil War, those fields – known as the Rockville Fairgrounds – continued to be a popular place for baseball. At the dawn of the 20th century, Reed Brothers Dodge had their own company baseball team that played on those same fields. The photos below were taken by Lewis Reed on a field at the Rockville Fairgrounds in the early 1920s.
Reed Brothers Dodge Baseball Team on field at Rockville Fairgrounds, circa early 1920s. Photo by Lewis Reed
Leo (Pat) Murray (Parts Department Manager), keeping score. Photo by Lewis Reed
Reed Brothers Dodge Baseball Team on field at Rockville Fairgrounds, circa early 1920s. Photo by Lewis Reed
Note the player with the five finger glove in the photo above. Out of all of these photos, this is the only glove that can be seen on a player. The use of gloves wasn’t original to the first years of the game; needing a padded glove was viewed as pretty wimpy. (According to this article in the Smithsonian Magazine, one of the first players to wear a glove tried – and failed – to find one that would be invisible to fans.) By the 1880s gloves were accepted equipment, however, and soon inventors and manufacturers were coming up with new and improved gloves (more padding, deeper webbing…)
Reed Brothers Dodge Baseball Team, circa early 1920s. This photo was taken at Welsh Field, which is the site of the County Office Building. The house in the background was in right field. Photo by Lewis Reed
Photo Manipulation Without a Computer
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1900s photographers couldn’t just go into a computer program and change their images any way they wanted. Instead of retouching an image on a computer, as it’s done now, it originally took place on the negative.
Photo manipulation was one tool Lewis Reed had in his photography tool belt. He was 100 years ahead of his time by creating special effects to images long before the convenience and efficiency of digital photography and Photoshop were ever imaginable.
I was hugely interested in how this was undertaken, and by the fact that the modification looked so seamless in the printed image. Spotting these manipulated photos in his extensive collection has been both easy and difficult. Some were simple double exposure images or hand colored images. The addition of these hand-drawn backgrounds was a little more difficult. It wasn’t until I viewed the high resolution scan that this modification jumped out at me.
Reading up on the subject I have become aware that retouching is in fact an art that evolved right alongside the birth of photography. The photographs below were retouched by hand (also known as “handwork”) on the glass negative using a hard graphite pencil and pieced together in the darkroom from separate photographs. The two photographs, one of the people standing on the edge of a cliff, and the other of the hand-drawn mountains, appear to be joined at the edge of the cliff where the mountains begin. All of this required a degree of artistic skill and access to a darkroom. Lewis Reed developed his own photographs in a darkroom in his house — in the kitchen, to be exact — and worked at night to develop the negatives.
The photographs below show two unknown people posing on a cliff in front of a hand-drawn background of mountains.
An original photograph retouched with hand-drawn mountains by Lewis Reed
Same photo as above, different angle, retouched by Lewis Reed.
Today, we can look back and appreciate the time and creativity it took to edit these photos without Photoshop.
On the Self-Publishing Horizon … Again!
I’m excited to announce that for the last year or so, I’ve been thinking about self-publishing a photo book specific to my grandfather, Lewis Reed, with a working title of, “Lewis Reed Photograph Collection (1898-1960).” Looking back at photography from the past is a fascinating experience for me, and with a newfound interest in history, the curious part of me wants to learn more: When was the picture taken? Where? What is it? Who’s in it? The majority of his photos are more than 100 years old and many are lacking labels and/or dates, which requires quite a bit of research and a little photo detective work on my part.
With that in mind, I will be frequently spotlighting photographs that may not directly pertain to the history of Reed Brothers Dodge, but will have a lot to do with it’s founder, Lewis Reed. I will not try to be an historian; I will post photos and supply a few paragraphs of context. Many photographic images in this collection have never before been seen publicly in print and will be available in this book for the first time.
I’ve been sitting on this post for a few weeks, timid to hit the ‘publish’ button. Likely because the size of the project is overwhelming and committing to it is a bit daunting (although exciting at the same time). It doesn’t help that as the ambition of my projects and goals increase, so too, can self-doubt. Below is the Draft Table of Contents for the book, which I’m sure will see some revisions as I progress.
Having said that, I will be switching my focus and time to mostly photo identification and researching/writing for the book.
Time to get to work!
Draft Table of Contents
Lewis Reed Shows Off His “Photoshopping” Skills… 100 Years Ago
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1900s photographers couldn’t just go into a computer program and change their images any way they wanted. They did what they could with the tools they had. Double image exposure was one tool Lewis Reed had in his photography tool belt. He was doing crazy things to images and creating humorous effects over 100 years ago. With double exposure technique, you could create certain effects like placing the same person on both sides of a picture simultaneously. Photographs were pieced together in the darkroom from separate photographs.
Below are eight (circa 1920s) photographs from Lewis Reed’s collection that will make you do a double take. No digital manipulation here. (click on photos to enlarge)
A double exposure image of Lewis Reed’s brother, Edgar, seated on both sides of a table.
Lewis Reed standing on both sides of a steamroller
Another double exposure wonderment. Wanna Fight?
Oh No! What on earth are they doing? I don’t know, but this one is epic.
Don’t Shoot! Lewis Reed is standing both front left and front right in this photo
Surrealistic, ghost-like effect of Lewis Reed standing next to a tree in the middle of train track.
More “photoshop” fun. Lewis Reed pushing the same man in baby carriage on both sides of the photo.
It’s a bird, it’s a plane .. no, it’s a man up in a tree!
Reed Photo Collection (1898-1960)
Lewis Reed, founder of Reed Brothers Dodge, was one of the most prolific photographers in Montgomery County at the turn of the 20th century. A self-taught photographer, he used a darkroom set up in his kitchen, sometimes working late at night to develop the negatives.
About This Collection:
Since launching this blog, it has been possible to explore an extraordinary archive: Lewis Reed’s photographs, taken across Maryland, Washington, DC, Virginia, and well beyond. The Reed Photo Collection (1898-1960) highlights the images that have been researched and identified, gathered into 200+ blog posts that offer vivid glimpses of everyday life more than a century ago.
Featured subjects range from the Black Rock Grist Mill, Rockville Water Tower, and C&O Canal to the 1939-1940 New York World’s Fair, Rockville Fair dirt track races, trolley cars, the Wright Brothers’ airplane, and the Quebec Bridge, once called the “Eighth Wonder of the World.” Particularly striking are the images documenting the devastation of the 1936 Gainesville, Georgia tornado, one of the deadliest in U.S. history; many photographs in this collection have never before appeared in print.
Lewis Reed’s legacy
Lewis Reed’s photographs have become an essential visual resource for local historians and have appeared in respected publications as well as historical television programs, including American Pickers, Science Channel’s Impossible Engineering, Maryland Public Television, and the PBS American Experience series.
In Montgomery County, his work is woven into the landscape: if you see a historical marker by the roadside, there is a good chance it features one of his images. His photographs appear on markers such as the Andrew Small Academy and Origins of Darnestown markers, the Baltimore & Ohio Railroad Station marker in Gaithersburg, From Trolley to Trail in Bethesda, the African American Heritage Walking Tour in Rockville, and the 19th Century Crossroads marker in Darnestown, as well as on an interpretive sign along the trail at Watters Smith Memorial State Park in West Virginia.
Early photographic “special effects”
One especially intriguing part of the collection is Lewis Reed’s experimentation with manipulated images. Long before digital cameras and Photoshop, he was creating imaginative “special effects,” a full century ahead of his time. His techniques included hand-tinting, double exposures, applied handwork, and playful compositions that introduce ghostly figures into the frame, all achieved with the limited tools of the early twentieth century. These experiments reveal not only technical skill but also a remarkable sense of creativity and humor.
Preserving historical authenticity
All images presented here are scanned from prints made from Lewis Reed’s original glass plate negatives, which were commonly used from the 1880s through the late 1920s. No digital retouching or alteration has been applied, preserving the photographs as faithfully as possible and maintaining their historical character.
Click here to step back in time and explore the lives, places, and stories captured through Lewis Reed’s camera.
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Copyright Notice
Reed Brothers Dodge History (1915-2012) by Jeanne Gartner is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
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