Lewis Reed’s Pet Photography
While I was going through Lewis Reed’s photograph collection trying to get them all sorted, I started noticing how many images of people posing with pets and animals he had. I thought, everybody loves their pets. Everyone can relate to these photos. Most of the photos involve cats, but there are some depicting dogs, a pony, a squirrel, a cow, a chicken, a rabbit, and even a spider!
If you thought filling your camera roll with pet pics was a modern phenomenon, these photos prove otherwise. These never before seen pet photographs feature glimpses into the lives of every day people and their relationships with their pets at the turn of the 20th century.

Man and his dog sitting on a horse in front of the Loudoun County Courthouse in Leesburg, Virginia. Photo by Lewis Reed
Cows are not the most athletic of creatures, they tend to just stand around a lot, so must be pretty easy to capture in a photo.
Getting up close and personal with a chicken can’t be easy. I imagine my grandfather sitting in the backyard for hours with his lens pointed at whichever chicken is closest to him in an effort to get the perfect shot. It’s pretty amazing the texture and detail he captured in this photo.
In the early 1900s, Lewis Reed also trained his camera on a part of the world most of us try to ignore: spiders. This photograph is incredibly unique, both for its subject matter and use of magnification that shows the spider in such detail.
Photo Manipulation Without a Computer
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1900s photographers couldn’t just go into a computer program and change their images any way they wanted. Instead of retouching an image on a computer, as it’s done now, it originally took place on the negative.
Photo manipulation was one tool Lewis Reed had in his photography tool belt. He was 100 years ahead of his time by creating special effects to images long before the convenience and efficiency of digital photography and Photoshop were ever imaginable.
I was hugely interested in how this was undertaken, and by the fact that the modification looked so seamless in the printed image. Spotting these manipulated photos in his extensive collection has been both easy and difficult. Some were simple double exposure images or hand colored images. The addition of these hand-drawn backgrounds was a little more difficult. It wasn’t until I viewed the high resolution scan that this modification jumped out at me.
Reading up on the subject I have become aware that retouching is in fact an art that evolved right alongside the birth of photography. The photographs below were retouched by hand (also known as “handwork”) on the glass negative using a hard graphite pencil and pieced together in the darkroom from separate photographs. The two photographs, one of the people standing on the edge of a cliff, and the other of the hand-drawn mountains, appear to be joined at the edge of the cliff where the mountains begin. All of this required a degree of artistic skill and access to a darkroom. Lewis Reed developed his own photographs in a darkroom in his house — in the kitchen, to be exact — and worked at night to develop the negatives.
The photographs below show two unknown people posing on a cliff in front of a hand-drawn background of mountains.
Today, we can look back and appreciate the time and creativity it took to edit these photos without Photoshop.
Lewis Reed’s Hand-tinted Photos
Before the advent of color photography, photographers painstakingly applied color to black and white photos in order to show a truer visual depiction of a photo image. The hand-tinted photos of Lewis Reed and his daughter, Mary Jane (Reed) Gartner are examples of this medium. The small collection of hand-tinted photographs were taken by Lewis Reed in the early 1900s. The photographs were hand-colored my my mother, Mary Jane (Reed) Gartner.
Below are hand-tinted photos before and after. Pastel was a good choice for coloration.

Original photograph by Lewis Reed. The photograph was meticulously tinted by my mother, making it look like a color photo.
The art of hand tinted photos was introduced along side the daguerreotype in 1839. In the 19th century it was most common for the professional photographer to tint the photograph or tintype just after printing. Later photo artists introduced new techniques using oil, watercolor and other types of paint to achieve the desired result. With the Great Depression, the sale of professional hand tinted photographs declined, but the home artist continued to have access to hand tinting kits. There is a very informative wiki article here which provided me with the brief details I have shared with you.
These days, most people rely on Photoshop to digitally make such enhancements. Progress, you know …
Photoshop 1900s Style

A double exposure image of Lewis Reed’s brother, Edgar, seated on both sides of a table. Think about doing this without Photoshop. Photo by Lewis Reed
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1900s photographers couldn’t just go into a computer program and change their images any way they wanted. They did what they could with the tools they had. Double image exposure was one tool Lewis Reed had in his photography tool belt. He was doing crazy things to images like this one over 100 years ago.
With double exposure technique, you could create certain effects like placing the same person on both sides of a picture simultaneously. Very hard to believe this image was not created using Photoshop, it is just too cool. No digital manipulation here.
1920s Double Image Photos by Lewis Reed
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1920s photographers couldn’t just go into a computer program and change their images any way they wanted. They did what they could with the tools they had. Double image exposure was one tool Lewis Reed had in his photography tool belt.
With double exposure technique, you could create certain effects like placing the same person on both sides of a picture simultaneously. Very hard to believe these images were not created using Photoshop, they are just too cool. No digital manipulation here.
Below are some vintage (circa 1920s) double image photographs from Lewis Reed’s collection (click on photos to enlarge):
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