Lewis Reed’s ‘Ghost’ Photograph
Surrealistic, ghost-like effect of Lewis Reed (right) standing next to a tree in the middle of train track. From Lewis Reed’s Photograph Collection
Lewis Reed had a passion for photography and had the know-how to try out a few of the trick shots that were popular at the time — including creating double exposures that made it look as if there were ghosts in the picture.
When I saw this photograph — which is slick enough to fool anyone not paying attention to detail — I became curious. How on earth did he do that? So I did some research to get some information on what went into this type of photography. This technique often left a telltale vertical line along the center of the image — a fuzzy stripe separating the two exposures.
Supernatural effects were mainly accomplished using double exposure. When developing the photos, a pre-prepared glass plate would be used which already had the image of a person on it. This would be the ‘ghost’. It would then be inserted into the camera in front of an unused plate which was used to shoot the photo. The developed negative comes out with both images on it — an incompletely exposed ghostly image as well as a sitter, looking perfectly unaware.
I think it’s really amazing how Lewis Reed’s early photography shows such versatility and creativity.
Photo Manipulation Without a Computer
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1900s photographers couldn’t just go into a computer program and change their images any way they wanted. Instead of retouching an image on a computer, as it’s done now, it originally took place on the negative.
Photo manipulation was one tool Lewis Reed had in his photography tool belt. He was 100 years ahead of his time by creating special effects to images long before the convenience and efficiency of digital photography and Photoshop were ever imaginable.
I was hugely interested in how this was undertaken, and by the fact that the modification looked so seamless in the printed image. Spotting these manipulated photos in his extensive collection has been both easy and difficult. Some were simple double exposure images or hand colored images. The addition of these hand-drawn backgrounds was a little more difficult. It wasn’t until I viewed the high resolution scan that this modification jumped out at me.
Reading up on the subject I have become aware that retouching is in fact an art that evolved right alongside the birth of photography. The photographs below were retouched by hand (also known as “handwork”) on the glass negative using a hard graphite pencil and pieced together in the darkroom from separate photographs. The two photographs, one of the people standing on the edge of a cliff, and the other of the hand-drawn mountains, appear to be joined at the edge of the cliff where the mountains begin. All of this required a degree of artistic skill and access to a darkroom. Lewis Reed developed his own photographs in a darkroom in his house — in the kitchen, to be exact — and worked at night to develop the negatives.
The photographs below show two unknown people posing on a cliff in front of a hand-drawn background of mountains.
An original photograph retouched with hand-drawn mountains by Lewis Reed
Same photo as above, different angle, retouched by Lewis Reed.
Today, we can look back and appreciate the time and creativity it took to edit these photos without Photoshop.
Lewis Reed Shows Off His “Photoshopping” Skills… 100 Years Ago
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1900s photographers couldn’t just go into a computer program and change their images any way they wanted. They did what they could with the tools they had. Double image exposure was one tool Lewis Reed had in his photography tool belt. He was doing crazy things to images and creating humorous effects over 100 years ago. With double exposure technique, you could create certain effects like placing the same person on both sides of a picture simultaneously. Photographs were pieced together in the darkroom from separate photographs.
Below are eight (circa 1920s) photographs from Lewis Reed’s collection that will make you do a double take. No digital manipulation here. (click on photos to enlarge)
A double exposure image of Lewis Reed’s brother, Edgar, seated on both sides of a table.
Lewis Reed standing on both sides of a steamroller
Another double exposure wonderment. Wanna Fight?
Oh No! What on earth are they doing? I don’t know, but this one is epic.
Don’t Shoot! Lewis Reed is standing both front left and front right in this photo
Surrealistic, ghost-like effect of Lewis Reed standing next to a tree in the middle of train track.
More “photoshop” fun. Lewis Reed pushing the same man in baby carriage on both sides of the photo.
It’s a bird, it’s a plane .. no, it’s a man up in a tree!
Lewis Reed’s Hand-tinted Photos
Before the advent of color photography, photographers painstakingly applied color to black and white photos in order to show a truer visual depiction of a photo image. The hand-tinted photos of Lewis Reed and his daughter, Mary Jane (Reed) Gartner are examples of this medium. The small collection of hand-tinted photographs were taken by Lewis Reed in the early 1900s. The photographs were hand-colored my my mother, Mary Jane (Reed) Gartner.
Below are hand-tinted photos before and after. Pastel was a good choice for coloration.
Original photograph by Lewis Reed.
Original photograph by Lewis Reed. The photograph was meticulously tinted by my mother, making it look like a color photo.
The art of hand tinted photos was introduced along side the daguerreotype in 1839. In the 19th century it was most common for the professional photographer to tint the photograph or tintype just after printing. Later photo artists introduced new techniques using oil, watercolor and other types of paint to achieve the desired result. With the Great Depression, the sale of professional hand tinted photographs declined, but the home artist continued to have access to hand tinting kits. There is a very informative wiki article here which provided me with the brief details I have shared with you.
These days, most people rely on Photoshop to digitally make such enhancements. Progress, you know …
Photoshop 1900s Style
A double exposure image of Lewis Reed’s brother, Edgar, seated on both sides of a table. Think about doing this without Photoshop. Photo by Lewis Reed
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1900s photographers couldn’t just go into a computer program and change their images any way they wanted. They did what they could with the tools they had. Double image exposure was one tool Lewis Reed had in his photography tool belt. He was doing crazy things to images like this one over 100 years ago.
With double exposure technique, you could create certain effects like placing the same person on both sides of a picture simultaneously. Very hard to believe this image was not created using Photoshop, it is just too cool. No digital manipulation here.
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Copyright Notice
Reed Brothers Dodge History (1915-2012) by Jeanne Gartner is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
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