Lewis Reed Shows Off His “Photoshopping” Skills… 100 Years Ago
If you take a look at the state of photography today, such as the advances of digital cameras and the artful image manipulation by Photoshop, it is easy to forget that back in the 1900s photographers couldn’t just go into a computer program and change their images any way they wanted. They did what they could with the tools they had. Double image exposure was one tool Lewis Reed had in his photography tool belt. He was doing crazy things to images and creating humorous effects over 100 years ago. With double exposure technique, you could create certain effects like placing the same person on both sides of a picture simultaneously. Photographs were pieced together in the darkroom from separate photographs.
Below are eight (circa 1920s) photographs from Lewis Reed’s collection that will make you do a double take. No digital manipulation here. (click on photos to enlarge)
A double exposure image of Lewis Reed’s brother, Edgar, seated on both sides of a table.
Lewis Reed standing on both sides of a steamroller
Another double exposure wonderment. Wanna Fight?
Oh No! What on earth are they doing? I don’t know, but this one is epic.
Don’t Shoot! Lewis Reed is standing both front left and front right in this photo
Surrealistic, ghost-like effect of Lewis Reed standing next to a tree in the middle of train track.
More “photoshop” fun. Lewis Reed pushing the same man in baby carriage on both sides of the photo.
It’s a bird, it’s a plane .. no, it’s a man up in a tree!
The Reed Family (Blacksmithing in Darnestown c. 1870)
Philip Reed outside of his Blacksmith Shop in Darnestown, Maryland c. early 1900s. Photo by Lewis Reed
Philip Reed (1845-1918), father of Lewis Reed, was an early settler in Darnestown, Maryland. He was a Blacksmith. Blacksmiths were once important members of the Darnestown community. They provided a vital trade that continued up to the mid-20th century. Born in Darnestown, Maryland on March 17, 1845, he was raised in a family that survived on knowledge and hard work. In 1870, at age 25, his occupation is listed as a Cabinet Maker and Blacksmith. Darnestown residents of that time included a doctor, a merchant, a blacksmith and a wheelwright. It seems Philip Reed may not have considered his primary occupation as a Wheelwright, but I do know that he had a Blacksmith shop on his land and he worked with both cabinet maker and blacksmith skills.
A blacksmith is a metal worker who creates objects from iron or steel by heating the metal and using tools to hammer, bend, and cut it. Civil war armies used blacksmiths to shoe horses and repair things such as wagons, horse tack, and artillery equipment.
A wheelwright is someone who makes and repairs wheels. Early wagon and cart wheels were made of solid wood, but increasingly had iron parts, such as hubs and rims. It would not be unusual for one man to be both a blacksmith and a wheelwright, for wheelwrights were sometimes described as a cross between a carpenter and a blacksmith.
Reed farmhouse and blacksmith shop in Darnestown, MD (Route 118). Photo by Lewis Reed
1940s Full Service Gulf Station
Reed Brothers Dodge Canopied Gulf Gasoline Station circa 1940
This is a previously unpublished photo of Reed Brothers Dodge full service Gulf Gasoline Station with two gas station attendants standing in front. Professional service was very important in the first half of the twentieth century, so it was common for gas station attendants to wear the company uniform.
Reed Brothers Dodge was the first Gulf gasoline dealer in the Washington, D.C. area. In 1915, they began selling gas at their original location in Old Rockville at the triangle at Veirs Mill Road and Rockville Pike. Their first gas station consisted of a single pump. Later, in addition to gas, they carried a full line of Gulf lubricants, Goodyear tires, Willard batteries, complimentary road maps, free air and water, and many other well known brands of merchandise to meet their patrons needs. Reed Brothers discontinued offering this product line when they relocated to their new facility in November 1970.
Early Car Starters: How Did Old Cars Start?
Lewis Reed hand cranking an old car. The hammer in Lewis Reed’s right hand is for straightening the hand crank. Apparently they can bend when starting big engines. The license plate is MD 10307 dated 1913.
Today, we take the starting of automobiles for granted. Simply place the key in the ignition, turn, and VROOM, the engine starts. Vintage cars from from the 1900s and 1910s were comparatively archaic and limited in their mechanical features. Even starting these old relics was difficult because the process involved a number of complicated steps that the driver had to perform in the correct order.
However, this was not always the case. Hand cranks were the most common type of engine starters in the early days of the automobile. Cars in the early parts of the century had to be started by hand. This was accomplished by turning a crank, usually located in the front of the automobile. The driver would literally “crank the engine” by turning the handle, which would allow the process of internal combustion to begin. After a given number of cranks, the engine would begin to run on its own, and the crank could be removed.
Although hand crank starters were simple and reliable, they suffered from a handful of drawbacks. The main issue with this method of starting an engine is that it is inherently dangerous to the operator. For instance, if an engine kicks back during the cranking process, the operator could get TKO’d by the hand crank. Although many of these cranks used overrun mechanism, there was also a potential for injury if the handle continued to turn after the engine started running.
The other main issue with hand crank starters is that it took a certain degree of physical effort to turn them. That meant anyone who lacked the necessary physical strength or dexterity was incapable of starting a vehicle equipped with this type of starter.
By 1920, nearly all manufacturers were producing cars equipped with starters making it easy for anyone, regardless of physical abilities, to start a car by pressing a button mounted on the dash or floor. An ignition on and starter engage switch operated by a key was introduced by Chrysler in 1949.
1928 Dodge Brothers Standard Six had both hand crank and starter. I’m assuming the crank was a backup in case the starter failed. The crank hole cover can be seen just below the front grill. Photo by Reed Brothers Dodge
Several new mechanical innovations were included in the 1946 Dodge Deluxe models. Among them were the introduction of the famous Fluid-Drive, a push-button starter system. The dash-mounted button on the 1946 Dodge Deluxe pictured below activated a solenoid, which in turn engaged the starter. For the first time since 1928 there was no provision made to manually hand crank the engine.
The push button starter on this 1946 Dodge Deluxe Fluid Drive was located on the far left, below the instrument gauges. Photo by Reed Brothers Dodge.
Reed Photo Collection (1898-1960)
Lewis Reed, founder of Reed Brothers Dodge, was one of the most prolific photographers in Montgomery County at the turn of the 20th century. A self-taught photographer, he used a darkroom set up in his kitchen, sometimes working late at night to develop the negatives.
About This Collection:
Since launching this blog, it has been possible to explore an extraordinary archive: Lewis Reed’s photographs, taken across Maryland, Washington, DC, Virginia, and well beyond. The Reed Photo Collection (1898-1960) highlights the images that have been researched and identified, gathered into 200+ blog posts that offer vivid glimpses of everyday life more than a century ago.
Featured subjects range from the Black Rock Grist Mill, Rockville Water Tower, and C&O Canal to the 1939-1940 New York World’s Fair, Rockville Fair dirt track races, trolley cars, the Wright Brothers’ airplane, and the Quebec Bridge, once called the “Eighth Wonder of the World.” Particularly striking are the images documenting the devastation of the 1936 Gainesville, Georgia tornado, one of the deadliest in U.S. history; many photographs in this collection have never before appeared in print.
Lewis Reed’s legacy
Lewis Reed’s photographs have become an essential visual resource for local historians and have appeared in respected publications as well as historical television programs, including American Pickers, Science Channel’s Impossible Engineering, Maryland Public Television, and the PBS American Experience series.
In Montgomery County, his work is woven into the landscape: if you see a historical marker by the roadside, there is a good chance it features one of his images. His photographs appear on markers such as the Andrew Small Academy and Origins of Darnestown markers, the Baltimore & Ohio Railroad Station marker in Gaithersburg, From Trolley to Trail in Bethesda, the African American Heritage Walking Tour in Rockville, and the 19th Century Crossroads marker in Darnestown, as well as on an interpretive sign along the trail at Watters Smith Memorial State Park in West Virginia.
Early photographic “special effects”
One especially intriguing part of the collection is Lewis Reed’s experimentation with manipulated images. Long before digital cameras and Photoshop, he was creating imaginative “special effects,” a full century ahead of his time. His techniques included hand-tinting, double exposures, applied handwork, and playful compositions that introduce ghostly figures into the frame, all achieved with the limited tools of the early twentieth century. These experiments reveal not only technical skill but also a remarkable sense of creativity and humor.
Preserving historical authenticity
All images presented here are scanned from prints made from Lewis Reed’s original glass plate negatives, which were commonly used from the 1880s through the late 1920s. No digital retouching or alteration has been applied, preserving the photographs as faithfully as possible and maintaining their historical character.
Click here to step back in time and explore the lives, places, and stories captured through Lewis Reed’s camera.
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Copyright Notice
Reed Brothers Dodge History (1915-2012) by Jeanne Gartner is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Reed Brothers Dodge History 1915 – 2012 
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