Two New Books Featuring Lewis Reed’s Historic Montgomery County Photographs
More than 125 years ago, a young boy named Lewis Reed picked up a camera and began photographing the world around him. What started as a youthful fascination with photography grew into one of the most important visual records of Montgomery County’s history.
From the late 1890s through the mid-twentieth century, Lewis Reed documented a county in transition. His photographs preserve everyday life during an era when dirt roads gradually gave way to paved highways, horse-drawn wagons shared the road with the first automobiles, and small rural communities evolved into the suburban landscape we know today. Today, the Lewis Reed Photograph Collection contains more than 2,500 photographs and continues to serve as an invaluable resource for historians, educators, museums, and local preservation projects.
For a little more than a decade, I have been privileged to preserve, research, and share this remarkable collection through books, online exhibits, presentations, historical markers, and hundreds of articles published here on Reed Brothers Dodge History. It has been my goal to ensure that Lewis Reed’s photographs remain accessible to everyone interested in Montgomery County’s rich heritage.
I am pleased to announce the completion of two new softcover companion books inspired by the Montgomery History online exhibits that celebrate Lewis Reed’s photographic legacy and introduce these remarkable images to an even wider audience.
Montgomery County: Through the Lens of Lewis Reed
Created as a companion volume to Montgomery History’s online exhibit of the same name, this compact book presents a carefully selected collection of Lewis Reed’s finest photographs. Inspired by the online exhibit, it preserves a remarkable visual record of a Montgomery County that has largely disappeared.
Taken during the first decades of the twentieth century, these photographs capture a county undergoing profound change while demonstrating Lewis Reed’s remarkable gift for documenting history as it unfolded. Today, they stand among the most significant visual records of Montgomery County’s early history.
Montgomery County: Then and Now – Photography of Lewis Reed and Barry Gartner
Also created as a companion volume to Montgomery History’s online exhibit of the same name, this full-color book pairs Lewis Reed’s historic photographs with modern images recreated from the same locations by his grandson, Barry Gartner. Together, the photographic pairs reveal more than a century of change while preserving a visual connection between Montgomery County’s past and present.
The result is a unique comparison of familiar landscapes, demonstrating how photography can bridge generations and deepen our understanding of the communities that continue to evolve.
Now Available
I’m excited to share that Montgomery County: Then and Now – Photography of Lewis Reed and Barry Gartner is now available to preview or purchase through Blurb’s print-on-demand bookstore.
Readers can browse the entire book online before ordering, making it easy to explore this unique photographic journey through Montgomery County’s past and present.
Preview or order your copy here:
Montgomery County: Then and Now – Photography of Lewis Reed and Barry Gartner
The companion volume, Montgomery County: Through the Lens of Lewis Reed, will also be available soon.
Continuing the Legacy
Every publication built around the Lewis Reed Photograph Collection helps preserve a remarkable visual record of Montgomery County’s history. More than historic images, these photographs connect us with the people, places, and landscapes that shaped our communities and remind us how much can be learned from a single photograph.
Thank you to everyone who has encouraged and supported this work over the years. Your interest in Lewis Reed’s photography has helped ensure that this extraordinary collection continues to educate, inspire, and preserve Montgomery County’s history for future generations.
To explore these and my other publications, please visit the Featured Publications page here on Reed Brothers Dodge History.
Inventing the Scene: Lewis Reed’s Composite Experiment
Not everything in the Reed Collection is what it seems. This early composite by Lewis Reed shows how he experimented with illusion long before Photoshop.
This unusual photograph offers a rare glimpse into the experimental side of early 20th-century photography. Created by Lewis Reed at a time when cameras relied on glass plate negatives and hand-mixed chemicals, the image reflects a period when photographers were not only documentarians, but also inventors; pushing the boundaries of what the medium could achieve.
At first glance, the scene appears to show a peaceful gathering along a wooded stream. Yet the composition quickly reveals signs of careful manipulation. The curved form across the top of the image, resembling the back of a chair or decorative arch, does not belong to the natural landscape. Its texture and sharp edge cut through the sky and treetops, suggesting it was introduced from a separate negative.
The figures also feel slightly detached from their surroundings. Their contrast is stronger, their edges more defined, and the lighting on each does not quite match. Most intriguingly, the woman seated on the ground appears to be the same woman standing between the two men. This repetition is a clear sign that Reed reused the same subject in different positions, further revealing the layered nature of the image and his playful approach to composition.
Such composite images were created through a painstaking darkroom process. Photographers used masking techniques, layered glass plate negatives, and contact printing to merge multiple exposures into a single print. These “trick photographs,” as they were often called, were popular between the late 1890s and the 1920s and were meant to entertain, surprise, and demonstrate technical skill.
This photograph stands as evidence of Lewis Reed’s curiosity and craftsmanship. While he is best known for documenting everyday life and early automotive history, this image reveals another side of his work–one rooted in imagination, experimentation, and the early artistry of the photographic medium.
Rare 1924 Photos Capture the First Shenandoah Apple Blossom Festival in Winchester, Virginia
Parade participants circle the racetrack as spectators view the parade from a grandstand. There was no caption on this photo, but I’m guessing it might possibly be the VMI Regimental Band. Photo by Lewis Reed, 1924
On May 3, 1924, a new tradition began in Winchester with the very first Shenandoah Apple Blossom Festival– an event that would grow into one of the region’s most celebrated annual traditions.
At the time, however, it was simply a one-day community gathering. Its lasting visual record exists largely because of one person: Lewis Reed.
His photographs captured the festival as it happened, unrehearsed and unrefined. Parade units circle the fairgrounds track, spectators fill wooden grandstands, and marching bands move through the grounds with a mix of ceremony and curiosity. There is a sense of immediacy in these images, reflecting a community participating in something entirely new, without yet knowing its future significance.
The B&O Railroad had a float in the Apple Blossom Parade. Photo by Lewis Reed, 1924
A flower-laden parade float glides past the grandstand at the Winchester fairgrounds during the first Shenandoah Apple Blossom Festival, captured through the lens of Lewis Reed as spectators look on from the shaded pavilion.
Unlike later years, when the festival would be widely promoted and carefully documented, the 1924 celebration left behind only limited records. Reed’s photographs now stand as one of the few surviving firsthand visual accounts. Parade units circle the fairgrounds track, spectators fill the wooden grandstands, and marching bands move through the space with a sense of purpose that suggests both ceremony and curiosity. There is an immediacy to these images, an unpolished authenticity that reflects a community participating in something entirely new, without yet knowing its future significance.
Taken by Lewis Reed, this image features a grand parade float adorned with white drapery and floral garlands, carrying a court of young women in classic 1920s white gowns and wide-brimmed hats.
This photo is believed to show the inaugural Queen, Elizabeth Steck, atop her floral-draped float. This historic moment during the first Shenandoah Apple Blossom Festival set the stage for a century of tradition in Winchester, Virginia.
What gives these photographs their enduring value is not simply their age, but their perspective. Lewis Reed approached photography as both a practical necessity and a form of documentation. While his work often centered on automobiles, business life, and everyday scenes, it also captured moments that would later take on deeper historical meaning.
His images of the 1924 festival preserve a fleeting beginning. They offer context for early 20th century civic celebrations and document the material culture of the time, from clothing and transportation to public gathering spaces. Without these photographs, the first Apple Blossom Festival would exist largely as a written account. With them, it becomes something far more tangible; a moment that can still be seen and experienced.
This photograph highlights the equestrian spirit of the event. A group of riders, dressed in formal white attire and matching caps, parades past the grandstands on horseback. Photo taken by Lewis Reed, 1924
This photograph captures the Pennsylvania Railroad float as it passes the grandstands. The float features a large keystone, the railroad’s iconic symbol, emblazoned with the interlocking “RR” logo. Photo by Lewis Reed.
The same rustic grandstands seen in the other photos are visible, filled with spectators watching the pageant unfold on the dirt track. Photo by Lewis Reed
Through Lewis Reed’s photography, the 1924 festival is immortalized in its most foundational form. These images do more than just record a date; they preserve the material culture of the early 20th century, documenting the precise moment when the motorized elegance of the era began to define community life. By capturing the formal attire, the rustic grandstands, and the civic pride of Winchester’s inaugural celebration, Lewis Reed ensured that the festival’s origins were not lost to the fog of memory.
Today, the Shenandoah Apple Blossom Festival draws thousands each year, but in 1924, it all began right here.
Introducing the Second Edition of The Lewis Reed Photograph Collection (1898-1960)
Some photographs simply capture a moment. Others capture an entire world.
New Cover – Second Edition. An expanded 384-page volume featuring more than 2,500 historic photographs preserved by Lewis Reed, many published for the first time. A remarkable visual record of the early 20th century.
I am pleased to announce the release of the Second Edition of the Lewis Reed Photograph Collection (1898–1960), an expanded and refined visual archive documenting over six decades of life, landscape, and community in Montgomery County, Maryland and the surrounding Mid-Atlantic region.
More than a century ago, Lewis Reed began photographing the towns, farms, roads, and people around him with a camera and a deep curiosity about a world in rapid transition. What began as the hobby of a young motorcycle enthusiast traveling the back roads of Maryland soon grew into one of the most remarkable visual records of the region’s history.
Many of the photographs in this collection were created from glass-plate negatives and early prints; preserving rural crossroads, bustling town centers, early automobiles sharing roads with horse-drawn wagons, and landscapes that look entirely different today. These are images that might otherwise have been lost to time.
What’s New in the Second Edition
This expanded edition presents Lewis Reed’s photographs in thematic sections that highlight the full breadth of his work; from Maryland towns and landscapes to family portraits, travel scenes, and the early history of Reed Brothers Dodge, which Lewis founded in Rockville in 1915. The collection draws from more than 2,500 digitized photographs, each carefully researched to identify the places and people they depict.
Many images were identified through long conversations with Lewis Reed’s daughter, Mary Jane Reed Gartner, whose recollections helped bring these photographs back to life and restore the stories behind them.
Lewis Reed is remembered locally as the founder of Reed Brothers Dodge, but photography was a lifelong passion alongside his business career. His images document everything from the C&O Canal in operation to small-town parades, churches, farms, and early roadways. Taken together, they form one of the most extensive visual archives of Montgomery County during the period when rural communities were giving way to the modern suburban landscape we know today.
A Note on Pricing
This is a photo-intensive volume, approaching four hundred pages, and is printed on demand through Blurb.com, meaning each copy is produced individually rather than in large commercial print runs. The pricing reflects the actual cost of producing such a large photographic archive. This project was created primarily to preserve and share Lewis Reed’s historic photographs, not as a commercial publication.
Get Your Copy
The Lewis Reed Photograph Collection (1898–1960), Second Edition is available now through Blurb.com’s print-on-demand bookstore.
Or visit the collection page for more information: reedbrothersdodgehistory.com
To stay up to date with new posts and historical discoveries, subscribe to the Reed Brothers Dodge History blog and follow along as the story of Lewis Reed and Montgomery County’s past continues to unfold.
A Field, a Gun, and a Trap
Early 1900s field trap shoot in Darnestown, Maryland, captured by Lewis Reed, showing one man poised with a shotgun while another readies the simple wooden trap amid farmhouses and open pasture.
In this photograph, two men stand in an open field bordered by modest frame houses and fenced pastures, a scene typical of small crossroads communities like Darnestown in the early 1900s. One man holds what appears to be a long gun, while the other sits beside a simple wooden rig that resembles the framework used to cock and release early manually operated target throwers or live‑bird traps
The proximity to grazing livestock suggest that this is not a formal gun club range but an improvised shooting ground on private farmland, which was common before purpose‑built trap clubs spread widely. Rural shooters often practiced in meadows or behind farmhouses, using homemade equipment and relying on a friend to work the trap while the shooter took position in front.
Darnestown in Reed’s era was a small but important crossroads in western Montgomery County with farms, mills, and the Andrew Small Academy serving the surrounding countryside. Later roadside historical markers that use Lewis Reed’s images emphasize how thoroughly he documented the community’s buildings and daily activities, making it likely that he also recorded local recreations such as shooting, fishing, or horse‑related events.
Clay target shooting gained popularity in the United States after the introduction of standardized targets and simple spring‑powered traps in the late 19th century, and Maryland farm communities were no exception. Scenes like this one, with neighbors gathering in an open field to test their marksmanship, reflect how shooting sports blended workday skills with weekend socializing in a largely agricultural landscape.
This image captures a rare glimpse of informal trap shooting at the moment when traditional rural life was beginning to intersect with modern leisure and sport. The combination of farmhouses, fence lines, cattle, and improvised equipment tells a layered story: of a county still rooted in agriculture, of residents embracing new pastimes, and of a photographer committed to preserving unscripted moments as carefully as grand events.
For historians, collectors, and local families, the photograph is more than a quaint scene; it is a visual document that anchors memories of people, place, and pastime in a specific landscape. As additional Reed negatives are identified and researched, images like this may help flesh out the early history of shooting sports in Montgomery County and deepen understanding of how communities like Darnestown spent their rare hours of leisure.
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Reed Brothers Dodge History (1915-2012) by Jeanne Gartner is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Reed Brothers Dodge History 1915 – 2012 
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